Posts by Josh Slater-Williams

Halston

By Josh Slater-Williams

The colourful life of the late American fashion designer is the focus of Frédéric Tcheng’s latest documentary.

review

The Perfection

By Josh Slater-Williams

There’s shades of Brian De Palma and Park Chan-wook in this Allison Williams-starring Netflix thriller.

review LWLies Recommends

Beats

By Josh Slater-Williams

Mismatched buddy antics power this enjoyable and euphoric trip back to the '90s warehouse rave scene.

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A Keanu Reeves film festival promises a most excellent adventure

By Josh Slater-Williams

Matchbox Cineclub’s KeanuCon weekender will chart the cult star’s career from babe to Baba Yaga.

Loro

By Josh Slater-Williams

Toni Servillo is Silvio Berlusconi in this partially fictionalised biopic from Paolo Sorrentino.

review

Unicorn Store

By Josh Slater-Williams

Brie Larson directs and stars in this enjoyably idiosyncratic comedy about realising your childhood dreams.

review

The best new films at the 2019 Glasgow Film Festival

By Josh Slater-Williams

Highlights from this year’s programme, including a tribute to legendary DoP Robby Müller.

Maiden

By Josh Slater-Williams

This timely documentary recounts the inspiring story of a female sailing crew’s round-the-world voyage.

review

Beats – first look review

By Josh Slater-Williams

Two best friends have the night of their young lives in Brian Welsh’s rave-era coming-of-ager.

David Dastmalchian on poverty and abuse drama All Creatures Here Below

By Josh Slater-Williams

The character actor and screenwriter talks presenting truth on screen, and what he’s learned from his time in Marvel’s Cinematic Universe.

A beginner’s guide to the films of Lee Chang-dong

By Josh Slater-Williams

To celebrate the release of Burning, we survey the South Korean writer/director’s earlier work.

Waru

By Josh Slater-Williams

Eight Māori female directors combine for this heart-rending drama centred around a young boy’s funeral.

review

Shirkers

By Josh Slater-Williams

The curious tale of a first feature stolen by a crew member is the subject of Sandi Ten’s fascinating autobiographical documentary.

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The sex work-positive horror written by a former camgirl

By Josh Slater-Williams

Filmmakers Isa Mazzei and Daniel Goldhaber discuss their provocative techno-thriller Cam.

The 10 best films from the 2018 Locarno Film Festival

By Josh Slater-Williams

A smorgasbord of international cinematic treasures was on offer at this year's festival.

Unicorn Store – first look review

By Josh Slater-Williams

Brie Larson directs and stars in this free-spirited indie comedy about a woman in pursuit of a pet unicorn.

The Ciambra

By Josh Slater-Williams

A small Romani community is the setting for Jonas Carpignano’s tender coming-of-age story.

review

A new cult film festival is spotlighting forgotten cinematic gems

By Josh Slater-Williams

Matchbox Cineclub have programmed a weekend of strange and unseen cinema from around the world.

Grease at 40: A first-time look at a pop culture classic

By Josh Slater-Williams

You know the songs, but is there more to this seemingly innocent high school musical than meets the eye?

Eight films to watch before you see The Shape of Water

By Josh Slater-Williams

Seek out these inspirations for Guillermo del Toro’s latest, including The Red Shoes and Creature from the Black Lagoon.

Why I love Nicolas Cage’s performance in Bringing Out the Dead

By Josh Slater-Williams

The actor is at his intense and emotional best in Martin Scorsese’s underrated late ’90s thriller.

Brigsby Bear

By Josh Slater-Williams

If you go down in the woods today, you’re sure to be underwhelmed...

review

Why I love Dwayne Johnson’s performance in Pain & Gain

By Josh Slater-Williams

There’s more to his larger-than-life turn than meets the eye.

How The Lost World taught me that films can be cruel

By Josh Slater-Williams

A key death in Steven Spielberg’s 1997 sequel completely altered my perception of cinema.

Detour

By Josh Slater-Williams

Some major young acting talent is put to waste in Christopher Smith’s garbled and derivative neo-noir.

review

The Secret Scripture

By Josh Slater-Williams

Rooney Mara is let down by weak scripting in this underpowered study of religious persecution in Ireland.

review

Gimme Danger

By Josh Slater-Williams

Jim Jarmusch lauds The Stooges, the greatest rock ’n’ roll band that ever lived.

review

Gary Numan: Android in La La Land

By Josh Slater-Williams

The electro pop pioneer opens up his home and his studio in this intimate if uneven documentary profile.

review

The Library Suicides

By Josh Slater-Williams

There’s plenty to admire about this nifty, twisty Welsh-language thriller from director Euros Lyn.

review

Kids in Love

By Josh Slater-Williams

Cara Delevingne and Will Poulter star in this bland bohemian coming-of-ager from Chris Foggin.

review

The Boss

By Josh Slater-Williams

Despite Melissa McCarthy’s best efforts this loose capitalist satire is a comically bankrupt affair.

review

The Daughter

By Josh Slater-Williams

There’s a touch of Thomas Vinterberg about this impressive Aussie debut from Simon Stone.

review

The five best films from IndieLisboa 2016

By Josh Slater-Williams

From the story of an easily seduced movie sub-titler to an innovative study of exhuming the dead through acting.

A brilliant film about pregnancy plays at IndieLisboa

By Josh Slater-Williams

Olmo and the Seagull deserves its comparison to Rosemary’s Baby, despite being a very different beast.

Hardcore Henry

By Josh Slater-Williams

This ultra-violent FPS inspired actioner is about as fun as watching someone else play a video game.

review

Six of the best films featuring all-female rock bands

By Josh Slater-Williams

The release of Jem and the Holograms reminded us of these great fictional female groups.

Swung

By Josh Slater-Williams

This Glasgow based sex odyssey offers little more than soap opera erotica.

review

The Hallow

By Josh Slater-Williams

A nifty, inventive horror film which sadly comes up a little short when it comes to cold, hard scares.

review

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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