To celebrate the release of Burning, we survey the South Korean writer/director’s earlier work.
Eight Māori female directors combine for this heart-rending drama centred around a young boy’s funeral.
The curious tale of a first feature stolen by a crew member is the subject of Sandi Ten’s fascinating autobiographical documentary.
Filmmakers Isa Mazzei and Daniel Goldhaber discuss their provocative techno-thriller Cam.
A smorgasbord of international cinematic treasures was on offer at this year's festival.
Brie Larson directs and stars in this free-spirited indie comedy about a woman in pursuit of a pet unicorn.
A small Romani community is the setting for Jonas Carpignano’s tender coming-of-age story.
Matchbox Cineclub have programmed a weekend of strange and unseen cinema from around the world.
You know the songs, but is there more to this seemingly innocent high school musical than meets the eye?
Seek out these inspirations for Guillermo del Toro’s latest, including The Red Shoes and Creature from the Black Lagoon.
The actor is at his intense and emotional best in Martin Scorsese’s underrated late ’90s thriller.
If you go down in the woods today, you’re sure to be underwhelmed...
There’s more to his larger-than-life turn than meets the eye.
A key death in Steven Spielberg’s 1997 sequel completely altered my perception of cinema.
Some major young acting talent is put to waste in Christopher Smith’s garbled and derivative neo-noir.
Rooney Mara is let down by weak scripting in this underpowered study of religious persecution in Ireland.
Jim Jarmusch lauds The Stooges, the greatest rock ’n’ roll band that ever lived.
The electro pop pioneer opens up his home and his studio in this intimate if uneven documentary profile.
There’s plenty to admire about this nifty, twisty Welsh-language thriller from director Euros Lyn.
Cara Delevingne and Will Poulter star in this bland bohemian coming-of-ager from Chris Foggin.
Despite Melissa McCarthy’s best efforts this loose capitalist satire is a comically bankrupt affair.
There’s a touch of Thomas Vinterberg about this impressive Aussie debut from Simon Stone.
From the story of an easily seduced movie sub-titler to an innovative study of exhuming the dead through acting.
Olmo and the Seagull deserves its comparison to Rosemary’s Baby, despite being a very different beast.
This ultra-violent FPS inspired actioner is about as fun as watching someone else play a video game.
The release of Jem and the Holograms reminded us of these great fictional female groups.
This Glasgow based sex odyssey offers little more than soap opera erotica.