HBO’s remix of Alan Moore’s graphic novel is a strange, complicated beast – and all the better for it.
By Jake Cole
Released in 1999, Bringing Out the Dead is a clear response to the perceived ambiguity of Taxi Driver.
At the 63rd BFI London Film Festival, five films directed by women signalled a new chapter for Korean cinema.
HBO’s remix of Alan Moore’s graphic novel is a strange, complicated beast – and all the better for it.
By Ronan Doyle
This year’s Iris Prize Film Festival in Cardiff showcased emerging trends across the spectrum of queer cinema.
This year’s edition of the Montreal-based festival showed the value of giving marginalised native filmmakers a platform.
By Jake Cole
Released in 1999, Bringing Out the Dead is a clear response to the perceived ambiguity of Taxi Driver.
A group of teenage guerrillas enter the heart of darkness in Alejandro Landes’ mountaintop tour de force.
By Ella Kemp
A history lesson turns into a horror movie in Bertrand Bonello’s bold reclamation of the zombie legend.
A tiresome folly that rejoins us with the characters of a mildly successful 2009 horror-comedy which absolutely no-one remembers.
This tender portrait of the exuberant INXS frontman avoids tabloid hysteria in its search for a fragile soul.
Aardman’s woolly hero has an unexpected visitor in this warm-hearted stop-motion sequel.
By BP Flanagan
Stanley Donen and Gene Kelly’s timeless musical remains an effervescent, life-affirming wonder.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
