The irrelevance of gender in the films of Pedro Almodóvar

By Meghana Kandlur

In the cinema of Pedro Almodóvar, gender proves more fluid and arbitrary than in much of contemporary cinema.

LWLies 104: The Blink Twice issue – Out now!

By Little White Lies

The great Naomi Ackie graces the vibrant cover of our new issue celebrating Zoë Kravitz’s directorial debut.

Zoë Kravitz: ‘Directing is what I’ve always wanted to do’

By Leila Latif

The co-writer, producer and director of Blink Twice reflects on the long journey her first feature took from idea to actualisation.

Features

Inside Atlas Cinema, the space democratising film exhibition

By Rogan Graham

Nestled beneath a railway arch in Brixton, a group of curators and community activists come together to share cinema free of prohibitive ticket prices and think beyond the constraints of the British film industry.

Shuchi Talati: ‘I grew up in a context where there was so much shame around female sexuality’

By Leila Latif

The writer/director of lilting coming-of-age yarn, Girls Will be Girls, stresses the importance of capturing human intimacy with an air of authenticity.

Why is English-language cinema so obsessed with remakes?

By Anita Markoff

As a new version of Christian Tafdrup's chilling 2022 horror Speak No Evil hits cinemas, we explore the cult of the Anglicised remake.

Carol Kane: ’I feel very old and very young at the same time‘

By Nick Newman

The acting legend and star of Between the Temples shoots the breeze on acting your age, keeping artistically active, and being super creative with John and Gena.

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Reviews

The Goldman Case review – a thumping courtroom drama

By David Jenkins

Cédric Kahn recreates the gripping 1976 trial of political activist Pierre Goldman in this immersive courtroom drama.

review

His Three Daughters review – fires on all pistons

By David Jenkins

Carrie Coon, Natasha Lyonne and Elizabeth Olsen play estranged sisters reuniting to care for their ailing father in Azazel Jacobs’ affecting chamber drama.

review LWLies Recommends

The Substance review – as shallow as the very thing it’s critiquing

By Hannah Strong

Coralie Fargeat's supposed satire on Hollywood's impossible standards for women is an ultimately unpleasant and ugly screed against those that try to play the game.

review

Girls Will Be Girls review – sympathetic to teendom

By Natasha Jagger

Shuchi Talati's sensitive Sundance sensation focuses on a teenage girl in North India who experiences first love amid clashing with her mother.

review LWLies Recommends

My Favourite Cake review – a charming slice-of-life film

By Fatima Sheriff

An elderly woman discovers romance again in Maryam Moghadam and Behtash Sanaeeha's touching dramedy.

review

Will & Harper – a charming but impersonal road trip movie

By Juan Barquin

Will Ferrell and his best friend Harper Steele embark on a cross-country road trip, reflecting on Steele's experiences as a recently out trans woman, in Josh Greenbaum's meandering but sweet documentary.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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