Damon Lindelof’s Watchmen is the most incendiary show of 2019

By Hannah Woodhead

HBO’s remix of Alan Moore’s graphic novel is a strange, complicated beast – and all the better for it.

Is this the clearest insight into Martin Scorsese’s moral perspective?

By Jake Cole

Released in 1999, Bringing Out the Dead is a clear response to the perceived ambiguity of Taxi Driver.

South Korea’s female filmmakers are finally making their voices heard

By Darren Carver-Balsiger

At the 63rd BFI London Film Festival, five films directed by women signalled a new chapter for Korean cinema.

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By Josh Slater-Williams

A group of teenage guerrillas enter the heart of darkness in Alejandro Landes’ mountaintop tour de force.

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Zombi Child

By Ella Kemp

A history lesson turns into a horror movie in Bertrand Bonello’s bold reclamation of the zombie legend.

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Zombieland: Double Tap

By David Jenkins

A tiresome folly that rejoins us with the characters of a mildly successful 2009 horror-comedy which absolutely no-one remembers.


Mystify: Michael Hutchence

By Trevor Johnston

This tender portrait of the exuberant INXS frontman avoids tabloid hysteria in its search for a fragile soul.

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A Shaun the Sheep Movie: Farmageddon

By Trevor Johnston

Aardman’s woolly hero has an unexpected visitor in this warm-hearted stop-motion sequel.

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Singin’ in the Rain (1952)

By BP Flanagan

Stanley Donen and Gene Kelly’s timeless musical remains an effervescent, life-affirming wonder.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.