Little White Lies - Movie Reviews and News

Little White Lies - Movie Reviews and Articles

Read TikTok Cinema: Inside AI Microdramas
Black silhouette of a hand holding a phone displaying the TikTok logo, surrounded by floating red theatre masks on a bright green background.

TikTok Cinema: Inside AI Microdramas

Long Read by Yalda Kesh

What kind of fiction thrives under these conditions?

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Two men on a bed with blue duvet — one sitting upright looking away, one lying back with hands behind head. Grey aerial map background.
In Praise Of

Once Upon a Time in the Midlands: Weekend at 15

by Emily Maskell

Andrew Haigh’s queer romance is made all the more special for taking place outside of the capital.
Illustrated portrait of an elderly man in a brown fedora and orange patterned shirt, set against a wavy orange and red halo on a brown background.
In Conversation

John Malkovich: ‘Good comedy is based on pain‘

by David Jenkins

The acting legend on channeling decades of personal passions into the role of a melancholy hitman in Wild Horse Nine.
Illustration of a moustachioed man holding a vintage film camera, wearing a brown shirt, against a wavy orange, yellow and brown retro background.
In Conversation

Sam Rockwell: ‘Really good actors are terrible liars‘

by Leila Latif

An alumnus of Martin McDonagh’s stage and screen work picks apart one of his funniest and most heartbreaking turns.

Issue 115: Wild Horse Nine – Order now!

We head to 1973 Easter Island in our print homage to Martin McDonagh's Wild Horse Nine and revel in its critique of US backroom imperialism with a double cover featuring both John Malkovich and Sam Rockwell.

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Latest reviews

Two people sitting in tall grass between large moai stone statues on Easter Island, under a blue sky with white clouds.
Review

Wild Horse Nine review – a double act for the ages

by David Jenkins

A revitalising shot of pure entertainment from writer/​director Martin McDonagh that also operates as a salty critique of modern US foreign policy.

5
Anticipation
5
Enjoyment
5
In Retrospect
Godzilla emerging from crashing waves behind an aircraft, dark spines visible, grey stormy sky, low-angle cinematic shot.
Review

Godzilla Minus Zero review – a rock ’em sock ’em slog

by David Jenkins

Takashi Yamazaki’s quick turnaround sequel to 2023’s Godzilla Minus One replays the hits but with massively diminished returns.

4
Anticipation
2
Enjoyment
2
In Retrospect
Young man in grey tracksuit and black beanie running on a beach with a pug on a lead, sea and pastel sky in the background.
Review

I Play Rocky – featherweight but fleetingly engaging

by Hannah Strong

Peter Farrelly‘s dramatisation of Sly Stallone‘s journey to the big screen is carried by the strength of its central performance.

2
Anticipation
4
Enjoyment
3
In Retrospect
Review

La Bola Negra review – a whirlwind of poetry and passion

by Rafa Sales Ross

The directorial twosome known as Los Javis deliver a head-spinning, era-spanning ode to political liberty inspired by the writings of Federico García Lorca.

4
Anticipation
4
Enjoyment
4
In Retrospect
A man wearing a salmon-pink sweatshirt looks downward, against a teal background.
Review

Animol review – boyhood behind bars

by Katherine McLaughlin

Ashley Walters’ directorial debut is a bruising portrait of masculinity behind bars, hampered by a frustrating screenplay.

4
Anticipation
3
Enjoyment
3
In Retrospect
Four people in bold, colourful fluffy outfits standing in front of a vintage car outside a pastel-coloured building.
Review

I Love Boosters review – a technicolour takedown of capitalism

by Leila Latif

Boots Riley’s riotous anti-capitalist caper is a technicolour fantasia brimming with scathing social commentary.

3
Anticipation
4
Enjoyment
4
In Retrospect
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Features

Black silhouette of a hand holding a phone displaying the TikTok logo, surrounded by floating red theatre masks on a bright green background.
Long Read

TikTok Cinema: Inside AI Microdramas

by Yalda Kesh

As AI-generated dramas flood our screens, what does their extraordinary rise reveal about the future of storytelling and our insatiable appetite for content? 
Two men on a bed with blue duvet — one sitting upright looking away, one lying back with hands behind head. Grey aerial map background.
In Praise Of

Once Upon a Time in the Midlands: Weekend at 15

by Emily Maskell

Andrew Haigh’s queer romance is made all the more special for taking place outside of the capital.
Three men rendered in teal/cyan tones against an orange-brown background, arranged in a collage-style composition at varying scales.
Acting Up

Pete Postlethwaite's Leaps of Faith

by Will Palmer

On the occasion of Baz Luhrmann’s Romeo + Juliet and Mark Herman’s Brassed Off turning 30, we reflect on the late actor’s gritty integrity and steadfast dedication to what’s right.
Illustrated portrait of a man with dark curly hair and round brown glasses, light skin, slight smile, on a textured yellow background.
In Conversation

Lance Oppenheim: ‘The line between criminal enterprise and entertainment has become so fragile’

by Hannah Strong

With Primetime, the non-fiction specialist switches to drama for a discomforting exploration of a lurid US TV sensation.
In Conversation

Lee Chang-dong: ‘Am I worthy of telling their story?’

by David Jenkins

The Korean maestro returns with a sumptuous survey of class, capitalism and what it means to love someone in Possible Love.
Festivals

Six Radical Discoveries from the 2026 BFI London Film Festival

by Lucy Peters

These under-the-radar discoveries from this year’s LFF showcase cinema at its most radical, urgent and unexpected.
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Club LWLies Exclusives

Deep Cuts

The Macabre Convergence of FW Murnau's Art and Life

by Ryan Finnigan

On the centenary of his silent masterpiece and the release of ​‘The Faust Bible’, we examine FW Murnau’s mastery of supernatural cinema and its lasting cultural impact.
Deep Cuts

Behind the Window Display: Cinema's Desperate Salesmen

by Ariana Martinez

Lacking the confidence to emulate the smooth-talking charlatans of the business world, these salesmen’s entrepreneurial personas end up as artificial as their shopfront displays.
Deep Cuts

Andrzej Wajda’s Cinema of Complicated Defiance at 100

by Juliette Bretan

On the centenary of a Polish cinema giant, we remember the powerful storytelling of Andrzej Wajda through his war and post-war films.
Deep Cuts

Celebrating the Splendour, Anarchy and Creative Genius of Sandy Powell

by Desirae Embree

Maggie Gyllenhaal’s reimagining of James Whale’s 1935 classic The Bride of Frankenstein marks 40 years in the singular career of costume designer Sandy Powell.
Two men in black tops against pastel pink and blue cloudy background with scattered geometric shapes and symbols.
Deep Cuts

Playground Love: How Air scored The Virgin Suicides

by Paul Weedon

The French electronic duo were the musical backbone behind Sofia Coppola’s startling debut. A 25th anniversary reissue saw them reconstructing much of their work from scratch.
Illustration depicting a close-up of a fantasy warrior figure with a face painted in bold, vibrant colours of blue, yellow, and red. The figure wears ornate, armoured clothing.
Deep Cuts

Life is a B-Movie: Joe D’Amato’s Bizarre Prophecy of 2025

by Mila F

A dystopian retro-future of telepathic mutants, gladiators and fascists – does Joe D’Amato’s vision of 2025 show any resemblance to our current reality?
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