Richard Linklater’s seminal high school movie is the ultimate endorsement of living in the moment.
The loquacious goddess of French cinema reflects on her extraordinary career ahead of the release of her new film, Faces Places.
Agnès Varda hits the road with French photographer and muralist JR in this singularly charming social document.
Richard Linklater’s seminal high school movie is the ultimate endorsement of living in the moment.
By Anton Bitel
Ted Post’s 1973 film The Baby takes the notion of the dysfunctional family to a whole other level.
By Adam Scovell
The director’s tale of twin gynecologists is a gory study of the relationship between the physical and mental self.
By Mark Allison
The film’s radical approach to violence and gender politics was perfectly pitched for the counter-culture generation.
By Eve Jones
Crystal Moselle’s New York-set tale of female friendship is one of the most exhilarating films of the year.
By Anton Bitel
Eli Roth’s latest offering is a Harry Potter-fied version of a 1950s haunted house horror.
By Elena Lazic
Peter Berg and Mark Wahlberg’s latest collaboration is an exploration of American militarism that doesn’t quite work.
Hollywood funny guy Paul Feig tries his hand at something a little different with this fizzy comedy thriller.
Agnès Varda hits the road with French photographer and muralist JR in this singularly charming social document.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
