Jeymes Samuel’s outlaw western will receive its world premiere at the festival in October.
Michael Mann’s maligned 2006 remake is quite unlike any Hollywood blockbuster before or since.
By Rory Doherty
The Scotland depicted in this incisive asylum drama is at odds with how the nation likes to see itself.
Jeymes Samuel’s outlaw western will receive its world premiere at the festival in October.
Though light on the technique, this documentary offers a fascinating insight into the anime icon’s world.
As well as Killers of the Flower Moon, he’s booked a role in the new film from Palm Springs director Max Barbakow.
Alien on Stage tells the story of a pantomime troupe’s hand-crafted tribute to Ridley Scott’s sci-fi classic.
Taylour Paige and Riley Keough star in a wild Floridian road trip movie based on an iconic Twitter thread.
By Matt Turner
Brazilian filmmaker Maya Da-Rin’s allegorical mystery-thriller expertly melds tradition with modernity.
This devastating documentary exposes the shocking truth of one of the world’s largest gay conversion therapy schemes.
James Gunn doubles down on his crass brand of humour in this charmless, unfunny and facile franchise redo.
By Ed Gibbs
Edgar Wright’s tribute to two of his musical heroes is an exhilarating look back over a unique pop career.
By Lou Thomas
Expectations be damned: Disney’s riverboat caper is one of the year’s most purely pleasurable motion pictures.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
