Tom Cruise smashes the sound barrier once again in this thrilling belated sequel to the beloved ’80s classic.
The Argentinian enfant terrible on death, sex, his mature new film Vortex and why making TV shows isn’t worth his freedom.
Join us on a longboat to Hell’s gateway with our new issue dedicated to Robert Eggers’ viking revenge saga, The Northman.
Mark Jenkin’s follow-up to 2019's beloved Bait is the haunting tale of lonely botanist that offers audio-visual thrills a-plenty.
Mia Hansen-Løve’s latest sees Léa Seydoux as a struggling single mother in a drama that’s not to the director’s usual lofty standards.
Marie Kreutzer’s brilliant portrait of a woman on the brink is a refreshing take on the often tedious period drama concept.
An eleven-year-old boy navigates family and friendship during a time of social upheaval in James Gray's tender semi-autobiographical latest.
Norway’s favourite synth-pop sons receive the full music biography treatment in this intimate documentary.
Three college students eager to party end up in a fraught situation in director Carey Williams’ comedy-thriller.
Tom Cruise smashes the sound barrier once again in this thrilling belated sequel to the beloved ’80s classic.
Terence Davies explores the tragic and complex life of World War I poet Siegfried Sassoon in this elegantly moving biopic.
Leah Purcell writes, directs and stars in this violent psychological western about a Bushwoman defending her lonesome patch.
An elderly Parisian couple struggle with the trials of ageing in Gaspar Noé’s miserable but intriguing new film.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
