Fear and violence aren’t the only things that John Carpenter’s boogeyman brings to Haddonfield.
A new ‘sound movie’ called Le Brasier Shelley represents a curious development in post-image cinema.
David Gordon Green presents a John Carpenter-approved sequel to the 1978 horror classic, with proto Final Girl Jamie Lee Curtis back to do battle as Laurie Strode.
A new ‘sound movie’ called Le Brasier Shelley represents a curious development in post-image cinema.
Fear and violence aren’t the only things that John Carpenter’s boogeyman brings to Haddonfield.
Marcus Lindeen’s documentary The Raft reunites the participants of a radical social study.
By Adam Scovell
Themes of memory and death lie at the heart of Terry Gilliam’s dystopian time travel saga.
Michael Moore takes aim at both sides of the political establishment in this scattershot survey of Trump’s America.
David Gordon Green presents a John Carpenter-approved sequel to the slasher classic from 1978.
By Ed Gibbs
The ground-breaking label marks its half-century with a glossy new documentary celebrating its legacy.
Seven strangers convene in a run-down Lake Tahoe hotel in Drew Goddard’s enjoyably pulpy ensemble mystery.
Paul Greengrass shows the action and aftermath of the 2011 Norway attacks in his latest terrorism-driven drama.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
