By Luís Azevedo
In a new video essay, Luís Azevedo takes us on a journey through the Mexican filmmaker’s colourful worlds.
By Amy Simmons
The Danish filmmaker’s visceral battle of the sexes is one of his most misunderstood – and best – works.
They say you should never meet your heroes, but that’s just wrong. LWLies receives a valedictory audience with Hollywood royalty.
By Lou Thomas
The director discusses tackling class and Brexit in his new film Happy New Year, Colin Burstead.
When Mick Jagger and co took the stage 50 years ago, no one imagined the show would not go on.
This pitch-black relationship comedy is one of the year’s most excruciatingly awkward – and best – viewing experiences.
By Luís Azevedo
In a new video essay, Luís Azevedo takes us on a journey through the Mexican filmmaker’s colourful worlds.
By Elena Lazic
DC Comics chance their arm with this zany, entertaining and frequently confounding underwater epic.
By Matt Thrift
Hu Bo’s search for hope and humanity in present-day China is a monumental debut tinged with tragedy.
Multiple Spider-Mans makes for outrageous fun in Marvel’s slick, constantly surprising multiverse animation.
Turkish filmmaker Gürcan Keltek uses a meteor shower as a metaphor for human conflict in this docu-fiction hybrid.
A smalltime teenage drug-pusher turns FBI informant in director Yann Demange’s Detroit-set crime drama.
By Rory Marsh
Old friends rekindle their relationship while navigating England’s waterways in Tupaq Felber’s uncompromising debut feature.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
