Taylor Swift and her folklore collaborators perform and dissect the pandemic album at New York’s Long Pond Studios.
Tsai Ming-liang’s 2003 film, newly released on Blu-ray, is a poignant and powerful love letter to the cinema.
David Fincher makes a spectacular return to feature filmmaking with this melancholy monochrome marvel.
Tsai Ming-liang’s 2003 film, newly released on Blu-ray, is a poignant and powerful love letter to the cinema.
By Leila Latif
The genre prodigy talks perfect casting and practical effects in his latest shocker, Possessor.
It’s alive! (‘It’ being a parody of Universal’s classic horror pictures, courtesy of the Jump Street directors.)
The Coen brothers’ classic gangland neo-noir remains one of their most potent and illusive works.
Taylor Swift and her folklore collaborators perform and dissect the pandemic album at New York’s Long Pond Studios.
John Boyega tackles institutional bigotry within the Metropolitan Police in Steve McQueen’s searing anti-racism drama.
By Leila Latif
Brandon Cronenberg follows up his impressive debut Antiviral with a visceral slice of hallucinatory ultraviolence.
Kristen Stewart and Mackenzie Davis star in Clea DuVall’s festive rom-com about going home and coming out.
Steve McQueen delivers a sublime party film for the ages in the second instalment of his Small Axe series.
The entertaining story of the titular “Mother of the Blues” sees Chadwick Boseman shine in his final performance.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
