Exploring the monstrous desire between Michael Myers and Laurie Strode

By Kimberley Ballard

Fear and violence aren’t the only things that John Carpenter’s boogeyman brings to Haddonfield.

Can a movie exist without images?

By Justine Smith

A new ‘sound movie’ called Le Brasier Shelley represents a curious development in post-image cinema.

Halloween

By Hannah Woodhead

David Gordon Green presents a John Carpenter-approved sequel to the 1978 horror classic, with proto Final Girl Jamie Lee Curtis back to do battle as Laurie Strode.

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Reviews

Fahrenheit 11/9

By Adam Woodward

Michael Moore takes aim at both sides of the political establishment in this scattershot survey of Trump’s America.

review

Halloween

By Hannah Woodhead

David Gordon Green presents a John Carpenter-approved sequel to the slasher classic from 1978.

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Rudeboy: The Story of Trojan Records

By Ed Gibbs

The ground-breaking label marks its half-century with a glossy new documentary celebrating its legacy.

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Sink

By Gus Edgar-Chan

There’s plenty of heart in Mark Gillis’ micro-budget survey of the UK’s job market crisis.

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Bad Times at the El Royale

By Sophie Monks Kaufman

Seven strangers convene in a run-down Lake Tahoe hotel in Drew Goddard’s enjoyably pulpy ensemble mystery.

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22 July

By Hannah Woodhead

Paul Greengrass shows the action and aftermath of the 2011 Norway attacks in his latest terrorism-driven drama.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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