As lockdown in the UK eases, Sophie Monks Kaufman reflects on the value of cultural exchange on a personal and societal level.
Our latest print edition brings together two of life’s foremost pleasures.
Hausu director Nobuhiko Obayashi’s penultimate film, Hanagatami, is as surreal as it is moving.
Sam Feder’s latest documentary, on Hollywood’s harmful transgender stereotypes, is a great conversation starter – but we need to go further.
As lockdown in the UK eases, Sophie Monks Kaufman reflects on the value of cultural exchange on a personal and societal level.
Zeina Durra’s Luxor and Alan Ball’s Uncle Frank head up the main feature programme.
Our latest print edition brings together two of life’s foremost pleasures.
Netflix eyes up a superhero franchise to call their own with Gina Prince-Bythewood's entertaining action epic.
A moving account of a mother trying desperately to balance a scandal at work and a health drama at home.
Ben Affleck exorcises some personal demons in this sometimes effective basketball drama.
Alex Pettyfer marks his directorial debut in inauspicious fashion with this lurid family incest thriller.
A police chief’s suspicion turns into an obsession in this chilly Icelandic drama from Hlynur Palmason.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
