by Nathan Lewis
Festival chief Alberto Barbara has pulled out all the stops to deliver a star-spangled and mouth-watering set of titles.
by LWLies
Our latest video essay, made in partnership with Disaronno, explores how the Italian screen legend became an enduring symbol of “la dolce vita”.
by Nirris Nagendrarajah
As Stephen Frears’ 1985 dramedy turns 40, a writer discovers a hopeful mirror in the lovers at the centre of the film.
by Rafael Fonseca
We document the exhilarating comings and goings on the ground at London’s second Creative Nonfiction Film Weekend.
by David Jenkins
The industrious and passionate Greek filmmaker on her subtly apocalyptic new work, Harvest.
by Eleanor Brady
From surreal odysseys to sexual awakenings, the swimming pool has long been depicted as a site of transformation, nostalgia and fluid identity.
by Billie Walker
Surveillance culture has gone way beyond peering into our neighbours’ windows and wondering about the lives we aren’t living.
by Blake Simons
Community lies at the heart of the UK’s first venue solely dedicated to queer cinema, which has opened its doors in Bermondsey.
by Olivia Popp
A curious pattern emerges when it comes to the cinematic treatment of the breezy beach read, compared to that of the more respectable airport novel.
by Hannah Strong
As The Shrouds finally debuts in UK cinemas, the master of the macabre gets personal about grief.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.