Features

David Lynch and Angelo Badalamenti unearth “lost” jazz LP

By Adam Woodward

The duo’s fabled experimental album is set for release later this year.

Does being authorised make a documentary more authentic?

By Ed Gibbs

Director Steve Loveridge was granted unprecedented access to singer-activist M.I.A, but does it meaningfully enhance his film?

In praise of Miloš Forman’s Amadeus

By Little White Lies

This romping tale of clashing artistic egos screens as part of the Royal Albert Hall’s Festival of Film.

Discover the ferocious insanity of this cult Japanese horror

By Anton Bitel

Teruo Ishii’s Horrors of Malformed Men contains one of cinema’s most straightforwardly stark raving villains.

Disenchantment and Matt Groening’s lovable, flawed heroes

By James Luxford

The Simpsons creator’s first foray into streaming continues his tradition of subversive central characters.

I’m Still Listening – Why Frasier remains my favourite ’90s sitcom

By William Carroll

Twenty-five years on, the show’s mix of high-brow humour and genuine heart is as appealing as ever.

Teen Spirit – first look review

By Ella Kemp

Elle Fanning plays a young talent show hopeful in Max Minghella’s sweet-sounding directorial debut.

On Location: The brutalist tower blocks of A Clockwork Orange

By Adam Scovell

Visiting the southeast London estate featured in Stanley Kubrick’s 1971 film makes for a dystopian experience.

Destroyer – first look review

By Sophie Monks Kaufman

A committed Nicole Kidman slums it in this by-the-book detective noir from director Karyn Kusama.

High Life – first look review

By Hannah Woodhead

Robert Pattinson gets flung into deep space in Claire Denis’ beguiling, exceptional English-language debut.

Hold the Dark – first look review

By Hannah Woodhead

Jeremy Saulnier continues his excellent run with this haunting Alaskan mystery thriller starring Jeffrey Wright and Riley Keough.

Angel – first look review

By Ella Kemp

The lives of a prostitute and a cyclist become intertwined over the course of a long, sensual night.

The Death and Life of John F Donovan – first look review

By Hannah Woodhead

Xavier Dolan’s overly earnest, star-packed drama concerns the untimely demise of an American TV idol.

If Beale Street Could Talk – first look review

By Hannah Woodhead

Barry Jenkins’ faithful adaptation of James Baldwin’s heartbreaking love story is pure cinematic poetry.

The Old Man & the Gun – first look review

By Hannah Woodhead

Hollywood icon Robert Redford plays a charming career criminal in his final ever screen performance.

Her Smell – first look review

By Hannah Woodhead

Elisabeth Moss is on showstopping form as a self-destructive punk singer in Alex Ross Perry’s manic mediation on fame.

Greta – first look review

By Caitlin Quinlan

Chloë Grace Moretz and Isabelle Huppert star in this darkly comic thriller from director Neil Jordan.

What are you looking for?

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design