Richard Linklater’s seminal high school movie is the ultimate endorsement of living in the moment.
By Anton Bitel
Ted Post’s 1973 film The Baby takes the notion of the dysfunctional family to a whole other level.
By Adam Scovell
The director’s tale of twin gynecologists is a gory study of the relationship between the physical and mental self.
By Mark Allison
The film’s radical approach to violence and gender politics was perfectly pitched for the counter-culture generation.
Emma Stone and Jonah Hill sign up for a mind-bending drug trial in Cary Fukunaga’s immersive miniseries.
The director’s follow-up to his Oscar-winning Moonlight is based on James Baldwin’s classic novel.
The ubiquitous font features prominently in the provocative arthouse filmmaker’s work, including his latest, Climax.
The loquacious goddess of French cinema reflects on her extraordinary career ahead of the release of her new film, Faces Places.
The duo’s fabled experimental album is set for release later this year.
By Ed Gibbs
Director Steve Loveridge was granted unprecedented access to singer-activist M.I.A, but does it meaningfully enhance his film?
This romping tale of clashing artistic egos screens as part of the Royal Albert Hall’s Festival of Film.
By Anton Bitel
Teruo Ishii’s Horrors of Malformed Men contains one of cinema’s most straightforwardly stark raving villains.
The Simpsons creator’s first foray into streaming continues his tradition of subversive central characters.
Twenty-five years on, the show’s mix of high-brow humour and genuine heart is as appealing as ever.
By Ella Kemp
Elle Fanning plays a young talent show hopeful in Max Minghella’s sweet-sounding directorial debut.
By Adam Scovell
Visiting the southeast London estate featured in Stanley Kubrick’s 1971 film makes for a dystopian experience.
A committed Nicole Kidman slums it in this by-the-book detective noir from director Karyn Kusama.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
