Features

Hands holding cocktail glasses filled with Disaronno cocktails, surrounded by olives, lemon slices, and other appetizers on a blu patterned table.
Disaronno La Dolce Vita

Celebrate 500 Years of Disaronno This Summer

To honour half a millennium of tradition and innovation, Disaronno invites you to join the worldwide celebration by posting a toast on social media using the hashtag #disaronno500cheers
Silhouette of a person seated on a bench in a misty, blue-toned environment.
Festivals

Resurrection – first-look review

by Hannah Strong

Bi Gan's third feature is an epic in every sense of the word, taking viewers on a sprawling odyssey through cinema.
Man in a flat cap, wearing a brown coat, standing in a snowy street next to a parked car.
Festivals

The Mastermind – first-look review

by Hannah Strong

An art theft spells disaster for Josh O'Connor in Kelly Reichardt's excellent Vietnam-era heist dramedy.
Illustration of a man with blond hair and a beard, wearing a suit, against a background of intersecting geometric patterns in mint green and black.
Interviews

László Nemes: ‘I wanted recreate the experience of Auschwitz’

The Hungarian director reveals how personal obsession fuelled his award-winning Holocaust drama, Son of Saul.
Colourful gallery wall with framed paintings, sculptures, and a man sitting in an armchair.
Interviews

Wes Anderson: ‘You’re hoping for the right accident’

by Hannah Strong

We speak to the mastermind behind The Phoenician Scheme about family, fathers-in-law, and the great, grand plan of all things Wes Anderson.
A portrait of a serious-looking Black man with short, curly hair, wearing a light-coloured shirt against a background of greenery.
Interviews

Monica Sorelle: ‘I’m working through my grief about Miami changing so rapidly and violently’

by Juan Barquin

As her debut receives a UK premiere as part of the BFI's Black Debutants season, Miami filmmaker Monica Sorelle reflects on the making of Mountains.
A young woman wearing a red jacket and shorts stands in the middle of a crowd of people lying on the ground.
Festivals

The Wave – first-look review

by Rafa Sales Ross

Sebastián Lelio's musical take on Chile's MeToo movement is a misjudged gum-smacking mess.
A woman in a long, red floral dress stands in front of a building with a "Gym's" sign. A car is visible in the background.
Festivals

Honey Don’t! – first-look review

by David Jenkins

The second instalment of Ethan Coen and Tricia Cooke’s lesbian genre film trilogy manages to just about snag a passing grade.
Several people, including a pregnant woman, gathered in a room, with a clock on the wall.
Festivals

Young Mothers first-look review

by Mark Asch

Belgium’s Dardenne brothers return with a typically emotive film about a group of very young women dealing with the dramas of childbirth.
Two young people sitting by a window, one reading a book and the other smoking a cigarette.
Festivals

Woman and Child – first-look review

by David Jenkins

Love and humour gives way to bitterness and rancour in this slick and involving portrait of an Iranian family in turmoil from Saeed Roustaee.

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