Set in the picturesque mountains of Utah, Sundance is a film lover’s paradise with a difference.
Space dogs, muscle men and a Soviet cinema icon were at the forefront of this year’s event.
ArteKino is an innovative digital film festival showcasing the crème of new European cinema.
York’s annual showcase of groundbreaking short-form cinema returned for its biggest ever edition.
By Beth Webb
Korean director Noh Young Sun reflects on her deeply personal debut feature, Yukiko.
We meet UKJFF Head Programmer Nir Cohen who explains how he plans to reach new audiences.
This year’s edition of the Montreal-based festival showed the value of giving marginalised native filmmakers a platform.
The writer-directors maps out the past, present and future of cinema through its depiction of… surgery?
This slow-burn folk horror set in old, weird England marks the auspicious return of talented British director Thomas Clay.
Director Matthew Rankin discusses his experimental debut feature The Twentieth Century.
Cosmo Jarvis shines in this portrait of flawed, inarticulate masculinity by first-time feature director Nathalie Biancheri.
By Jenna Mahale
Writer/director Sasie Sealy discusses the making of her “risky” debut feature, Lucky Grandma.
Sprawling programmes and a focus on new talent makes buying tickets a tough task. But it need not be.
Two films at the San Sebastian Film Festival showcase a more old school way of depicting the bittersweet passage of time.
By Anton Bitel
Away from the showpiece gala screenings, these are the films worth seeking out at this year’s LFF.
An intended orgy of cinephile pleasure translates as a misguided and misbegotten dud in James Franco’s long-delayed Hollywood satire.
Steve Coogan plays an odious fast fashion magnate in Michael Winterbottom's latest comedy.