IndieLisboa

Why Sarah Maldoror remains one of cinema’s greatest revolutionaries

By Pamela Hutchinson

The late filmmaker and poet was a pioneer of anti-colonial cinema, whose cry for freedom still resonates today.

A new animated short explores sexual envy from a female perspective

By Sophie Monks Kaufman

Hungarian animator Nadja Andrasev reveals how personal experience informed her sensual new film Symbiosis.

The best new music documentaries to look out for this year

By Patrick Gamble

Films about Betty Davis, Ryuichi Sakamoto and Milford Graves were among the highlights of the 15th edition of IndieLisboa.

How the films of Jem Cohen reveal the true meaning of independent cinema

By Patrick Gamble

A recent retrospective at the IndieLisboa Film Festival highlighted the need for socially-conscious filmmaking.

The five best films from IndieLisboa 2016

By Josh Slater-Williams

From the story of an easily seduced movie sub-titler to an innovative study of exhuming the dead through acting.

A brilliant film about pregnancy plays at IndieLisboa

By Josh Slater-Williams

Olmo and the Seagull deserves its comparison to Rosemary’s Baby, despite being a very different beast.

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design