By Lucy Peters
How the doc maestro turned his hand to (musical!) fiction in his compelling and singular new film, The End.
By Juan Barquin
As The People's Joker finally goes global, the maverick filmmaker behind the wildest superhero film of the year sounds off about microbudget filmmaking, the trans canon, and Joker 2.
The maverick writer/director espouses the need to stick behind your aesthetic and creative ideals at all costs.
The actor and writer/director of A Real Pain discusses his Polish heritage and the tricky prospect of filming scenes for a comedy drama in a concentration camp.
Luca Guadagnino, Daniel Craig and Drew Starkey on bringing the classic, controversial William Burroughs novel kicking and screaming to the big screen.
Christmas Eve in Miller’s Point is a Yuletide classic in the making, and its director has a sincere fondness for the holiday season.
The German star unlocks the process of deep immersion that led him to discovering his character in Andrea Arnold's Bird.
The role of charismatic chancer Bug in Andrea Arnold's Bird feels like a victory lap for Hollywood's most unlikely new darling.
By Nia Childs
One of Britain's foremost chroniclers of life in the economic margins opens up about the pressures of modern filmmaking and her desire to let audiences take what they want from her films.
The director of the cult classic Korean wave sci-fi comedy reflects on his wild debut two decades on, and the forthcoming remake from Yorgos Lanthimos.
By Rógan Graham
The maker of the remarkable prizewinning docu-essay hybrid, Dahomey, on the film’s urgent anti-colonial message.
By Simon Bland
Two decades ago, a grim Northern revenge western starring Paddy Considine as a man on the war path shocked audiences and made Shane Meadows one to watch out for. He reflects on the long legacy of Dead Man's Shoes.
British filmmaker/actor Alice Lowe reflects on the making of her sublime and refreshingly self-critical second feature, Timestalker.
The director of the original series discusses its creation and legacy ahead of a new tour of his cult behind-the-scenes film, Oxide Ghosts.
By Leila Latif
The writer/director of lilting coming-of-age yarn, Girls Will be Girls, stresses the importance of capturing human intimacy with an air of authenticity.
By Nick Newman
The acting legend and star of Between the Temples shoots the breeze on acting your age, keeping artistically active, and being super creative with John and Gena.
We go behind the scenes on the cover of LWLies 103: The Blink Twice Issue with Leeds-based illustrator Sarah Madden.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
