Features

A new short film from Alice Rohrwacher is getting a release through Disney+

By Charles Bramesco

The 37-minute Le Pupille joins a group of rebellious youngsters spending the holidays at their boarding school.

The Witch: Part 2 – The Other One is a wild action-thriller

By Anton Bitel

This blood-soaked South Korean sequel picks up where The Witch: Part 1 left off, with a pair of supernatural twins causing havoc.

Why I will always love The Bodyguard

By Nick Herrmann

The classic romantic drama starring Kevin Costner and Whitney Houston offers more than retro amusement value.

Discover the slapstick joys of this 80s martial arts comedy

By Anton Bitel

Sammo Hung stars as a hapless amateur detective in Wu Ma's classic comedy caper.

We must remember this – lessons learned from Casablanca

By Tom Joudrey

80 years on, Michael Curtiz's romantic drama retains a defiant spirit more relevant to our current political climate than it might first appear.

Rian Johnson: ‘Sondheim’s my guy’

By Adam Woodward

The writer/director of Glass Onion talks musicals, murder mysteries, and the sartorial secrets of master detective Benoit Blanc.

Strong women, dysfunctional families and a sentient car at the 2022 London Korean Film Festival

By Emma Curzon

A well-curated selection of genres and themes made for a diverse and fascinating programme at this year's festival.

Adam Driver and Greta Gerwig face the apocalypse in the White Noise trailer

By Charles Bramesco

The world lurches toward a postmodern end in Noah Baumbach's adaptation of Don DeLillo's essential novel.

Luca Guadagnino: ‘I hate drama’

By Hannah Strong

The Italian director behind A Bigger Splash, Call Me By Your Name and Suspiria talks flies, flesh and Timothée Chalamet in his horror-romance Bones and All.

Resisting fascism with Porco Rosso and Pinnochio

By Ryan Gaur

Hayao Miyazaki's porcine aviator and Guillermo del Toro's little wooden puppet demonstrate the importance of resistance in the face of extremism.

Memory and grief are at the heart of this year’s best cinema

By Becca Rieckmann

Charlotte Wells, Joanna Hogg and Mia Hansen-Løve explore the relationship between family and grief in their latest works.

Danish Scum! Welcome to Lars von Trier’s The Kingdom

By David Jenkins

Recapping the mad ’90s hospital-based horror-comedy in anticipation of its long-awaited third series, The Kingdom Exodus.

Inside Ugo Tognazzi’s cult of cuisine

By Eric Millman

Available in English for the first time in nearly 50 years, the legendary actor's culinary memoir reveals a passion rarely seen in his films.

James Gray: ‘I’m supposed to show you all my vulnerabilities, that’s the reason I do it’

By Hannah Strong

The director of Armageddon Time reflects on how his childhood inspired his deeply affecting drama about societal tensions in 1970s New York.

Channing Tatum gyrates back into our hearts in the trailer for Magic Mike’s Last Dance

By Charles Bramesco

Steven Soderbergh directs the third installment of the male-stripping saga as Mike brings his talents to London.

Charlotte Wells: ‘Adults are locked in the roles that they perform for kids’

By Rafa Sales Ross

The Scottish filmmaker behind breakout indie Aftersun explains the complex process of portraying memory in cinema.

How The Draughtsman’s Contract set the blueprint for the modern period piece

By Finlay Spencer

With its acerbic script and anachronistic flourishes, Peter Greenaway’s 1982 film is as fresh and funny as ever.

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design