This year’s edition of the Montreal-based festival showed the value of giving marginalised native filmmakers a platform.
By Jake Cole
Released in 1999, Bringing Out the Dead is a clear response to the perceived ambiguity of Taxi Driver.
At the 63rd BFI London Film Festival, five films directed by women signalled a new chapter for Korean cinema.
The writer-directors maps out the past, present and future of cinema through its depiction of… surgery?
By Thomas Hobbs
The lead singer of art pop duo Tune-Yards’ discusses the cartoony genius of John Morris’ famed score.
It may or may not have something to do with the much-discussed Bruce Lee scene.
The horror novelist par excellence has turned his home into a museum/writers' retreat.
By Adam Scovell
Robert Fuest’s And Soon the Darkness foreshadows both The Wicker Man and The Texas Chain Saw Massacre.
By Leigh Singer
The film’s directors and star Zack Gottsagen, who has Down syndrome, discuss overcoming industry stigma.
My Boy is the latest micro-budget drama from British writer/director Charlotte Regan.
It’s a classic boy-meets-girl-who-can-control-the-rain story.
Her playful, emotionally nuanced turn is the beating heart of Billy Wilder’s classic romantic comedy.
The French maestro on his acerbic new film Non-Fiction and why he’s a software rather than a hardware guy.
By James Clarke
In praise of David Lynch’s 1999 drama, a film about moving slowly and gently in a hard and fast world.
By Steph Green
Through its volunteer-led screenings, Talkies is encouraging local audiences to reconnect.
This slow-burn folk horror set in old, weird England marks the auspicious return of talented British director Thomas Clay.
Disney+ will soon be a repository for kiddie films forgotten by time.