Organisers from Cannes, Berlin, Venice, Locarno and others are joining forces to raise money in light of Coronavirus.
The upcoming remake of the classic musical envisions the glamorous, pandemic-free ’50s.
By Anton Bitel
Atsushi Yamatoya’s 1967 Inflatable Sex Doll of the Wasteland subverts expectations of this softcore genre.
By Sam Thompson
With its Southern Gothic setting and Tony Todd on top form once again, the 1995 sequel deserves a second look.
The British-Nigerian actor wants to bring more localised stories to a global audience.
By Jack King
The director of And Then We Danced discusses his film’s impact on the LGBT+ community in Georgia and beyond.
By Emma Fraser
Mae Martin’s Channel 4/Netflix co-production tackles gender identity, female sexuality and drug dependency.
After sweeping the Oscars, Bong Joon-ho now has the honour of knocking Mel Gibson off his perch.
By JC Gabel
The award-winning illustrator and designer discusses her creative process in a new book from Hat & Beard Press.
Our spring issue celebrates first-time director Emerald Fennell’s scorching black comedy.
By Adam Scovell
Following in the existential footsteps of François Truffaut’s young protagonist, half a century on.
Levan Akin’s And Then We Danced has put LGBT+ rights centre-stage in the conservative, Orthodox country.
We'll be joined by the legendary filmmaker for a Q&A on March 20.
The festival is confident the show will go on, but concerns are mounting as the virus continues to spread.
Bridge of Spies scribe Matt Charman will adapt the screenplay about Red Scare paranoia.
By Thomas Hobbs
The Moonlight and Succession composer reveals how Vangelis’ score made him want to become a musician.
A career-best Simon Pegg and a Sudanese teen movie we’re also on the menu at this year’s GFF.
Elon Musk has yet to be attached, but Chai Vasarhelyi and Jimmy Chin look to have landed the project.