Yorgos Lanthimos is up to his old tricks with this delightfully mean allegorical anthology.
By Esmé Holden
The filmmaker reflects on her sophomore feature film, I Saw the TV Glow, in which two teenage outsiders find comfort in a mysterious television series.
Twenty five years on from its release, the rave culture of Justin Kerrigan's ode to doomed youth is all but lost.
By Paul Weedon
Initially known for its experimental output, Bristol-based Invada Records has spent the last decade and a half carving a reputation for its carefully curated roster of film soundtracks.
By Xuanlin Tham
In the Scottish borders, this bold independent film festival champions new ways of seeing, with a 2024 focus on the work of Palestinian artist Noor Abed.
By Grace Dodd
Thanks to the efforts of the LUMA Foundation and Jarman's friend James Mackay, a series of shorts produced by the pioneering filmmaker have been restored and screened for the first time in London.
By Anton Bitel
A gothic ghost story, a Tokyo love story and a Bob Hoskins classic are among the highlights headed for new editions this month.
By Mark Asch
An Iranian judge appointed to Tehran's Revolutionary Court grapples with dissent both at work and at home in Mohammad Rasoulof’s politically charged thriller.
Two sisters share an unshakable bond in Ariane Labed's uniquely strange feature debut.
Noémie Merlant's sophomore feature, co-written by Celine Sciamma, is a riotous black comedy set on the hottest day of the year in Marseilles.
An archetypal good girl meets a boy from the wrong side of the tracks in Gilles Lellouche's sweeping melodrama.
A young enforcer for a Brazilian gangster finds himself hiding out at a sleazy sex hotel in Karim Aïnouz's neo-noir.
By Jenna Mahale
Payal Kapadia's first fiction feature is a gorgeous romance, concerning the lives of two contrasting nurses in present-day Mumbai.
Ben Whishaw rises to the occasion of essaying the poet, provocateur and political dissident Eduard Limonov.
A visually ravishing if emotionally and thematically opaque travelogue is the latest from Portuguese maestro, Miguel Gomes.
Oliver Stone's portrait of Brazil's beloved president sadly fails to really capture what it is that makes Lula da Silva such a galvanising political force.
By Mark Asch
Paolo Sorrentino, Italy's lustiest working filmmaker, spins a tedious yarn about one woman's otherworldly beauty.
A young exotic dancer shacks up with the son of a Russian billionaire, much to the despair of his parents, in Sean Baker's latest down-and-dirty dramedy.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
