By Leila Latif
The genre prodigy talks perfect casting and practical effects in his latest shocker, Possessor.
By Aaron Hunt
The director reflects on the making of his triumphant ode to Black culture and resilience, Small Axe.
The renowned character actor reveals how Josephine Decker nudged him out of his comfort zone.
The star and producer of Shirley on the enticements of strong, complex female characters.
A decade of hard graft across stage, screen and TV has resulted in a bone-rattling lead turn in political horror, His House.
By Leila Latif
The actor and director discuss the shared experiences that inspired their bittersweet love letter to their spiritual home.
By Aaron Hunt
The director discusses her stark interrogation of the destructive stasis of the carceral state, Time.
Breaking into the local post office was deep research for the artworld multi-hypenate’s superb new film, Kajillionaire.
The documentary maker attempts to cheat death with her life-affirming latest, Dick Johnson Is Dead.
By Rogan Graham
Don’t be fooled by the surface-level frivolity of Miss Juneteenth says its canny, thoughtful director.
The director of She Dies Tomorrow opens up about how anxiety and existential dread feed her creative spirit.
The star of Christopher Nolan’s Tenet revels in the toil of making an experimental mega blockbuster.
The Australian director discusses her debut, Babyteeth, and why she’s perfectly happy making other people’s scripts.
By Elena Lazic
How a fascination with female desire inspired the first-time director of the excellent Make Up.
The writer/director on how first-hand research informed her ‘poetic odyssey’, Never Rarely Sometimes Always.
By Beth Webb
The American filmmaker’s debut narrative feature is the perfect drama for the post #MeToo era.
The Saudi Arabian iconoclast details the tribulations of making The Perfect Candidate.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
