In Conversation

Romain Gavras: ‘I see this film as almost the anti-Scarface’

By David Jenkins

The French filmmaker and sometime MIA collaborator chats about his gangster epic The World Is Yours.

Eighth Grade’s Bo Burnham and Elsie Fisher on tackling teenage anxiety

By Hannah Woodhead

We slide into the DMs of the director and star of the year’s must-see middle school movie.

Alice Rohrwacher: ‘We imagine that a good man does good, but it’s an illusion’

By Manuela Lazic

Happy as Lazzaro is an ethereal take on modern slavery and what it means to be happy. We meet its maker.

Larry Cohen: The Last Interview

By Jonathan Doyle

The late B-movie maestro reflects on his rich and storied career behind the camera.

David Robert Mitchell: ‘There’s an element of madness within this movie’

By David Jenkins

The director of Under the Silver Lake talks LA history, ’80s RPGs and filming down toilet bowls.

Richard Billingham: ‘I wanted to give a sense of what it was like to be there’

By Paul Risker

The British photographer and filmmaker opens up about his kitchen sink drama Ray & Liz.

Maggie Gyllenhaal: ‘It’s a cautionary tale about the consequences of starving women’

By Manuela Lazic

The star of The Kindergarten Teacher talks about living in the long shadow of dashed dreams.

Samuel Maoz: ‘Maybe I’m just trying to convince myself that I’m not guilty’

By Nick Hasted

The Israeli writer/director of Lebanon discusses his absurdist, long-awaited follow-up, Foxtrot.

James Cameron: ‘Soon we’ll have AI creating movies – and it’ll suck’

By David Jenkins

One of the most successful filmmakers of all time talks Alita: Battle Angel, Avatar and the future of cinema.

Barry Jenkins: ‘People of colour have been looking into the eyes of white people forever’

By David Jenkins

The Moonlight director sits down to pick apart his wonderful James Baldwin adaptation, If Beale Street Could Talk.

Joel Edgerton: ‘On a scale of 1 to 10 this project was Spinal Tap’

By Adam Woodward

The Boy Erased director chats filmmaking, family and his upcoming role in David Michôd’s The King.

Lee Chang-dong: ‘Today we are living in Murakami’s world’

By Matt Thrift

The South Korean maestro talks literary inspiration and his mysterious new psychodrama, Burning.

Mahershala Ali: ‘There’s been a systematic diminishing of voices of colour’

By Rowan Woods

One half of the cross-country buddy comedy Green Book muses on changing political attitudes in Hollywood.

Richard E Grant: ‘Acting is like juggling with jelly and water’

By Sophie Monks Kaufman

The loquacious actor (and latter-day perfumer) discusses his stellar turn as a silver-tongued grifter in Can You Ever Forgive Me?

Steve Carell: ‘I don’t think about comedy and drama as separate genres’

By Hannah Woodhead

From office buffoon to father of a teenage drug addict, the American actor is a veritable screen all-rounder.

Lars von Trier: ‘I know how to kill’

By David Jenkins

The Danish devil talks about murder, movies and his sensational new film The House That Jack Built.

What are you looking for?

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design