By Lou Thomas
The American writer/director of Bad Times at the El Royale on his love of movies, music and fascination with the 1960s.
The Canadian filmmaker on the making of his heavy metal psycho-horror, Mandy, and working his one of his acting heroes.
The loquacious goddess of French cinema reflects on her extraordinary career ahead of the release of her new film, Faces Places.
The American Animals director discusses his unconventional approach to putting true stories on screen.
The Irish rising star talks American Animals, shoplifting and how playing a certain type of character can lead to having weird dreams on set.
The US film and television actor discusses playing a conversion therapy pastor in Desiree Akhavan’s The Miseducation of Cameron Post.
The director of Sundance hit Hearts Beat Loud talks about his favourite bands, Stephen Sondheim, and provides an impassioned defence of compilation soundtracks.
The director of Leave No Trace talks about the possibility of a total disconnect from the system.
By Matt Thrift
The prolific independent filmmaker reflects on his career ahead of Henry Fool’s 20th anniversary.
The star of Ari Aster’s Hereditary talks grief, audiobooks and why we should all go to the cinema more often.
By Matt Thrift
It took the best part of a decade to bring Zama to the big screen. Its writer/director tells us about her epic journey.
By Lou Thomas
The writer/director of Gattaca and Anon offers his thoughts on the Cambridge Analytica scandal.
The American novelist and former Richmond Fontaine frontman discusses the latest adaptation of his work, Lean on Pete.
The creative minds behind Japan’s newest animation house share their vision for the future.
A star-making turn in Beast is set to launch Irish actor Jessie Buckley into the stratosphere.
One of greatest directors working today picks apart the romantic gamesmanship of her wonderful latest.
Western is a sensual, rustic drama which pays subtle homage to the classic horse opera, explains its German maker.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
