By Grace Z Li
The Birds of Prey director reflects on her 2018 debut feature Dead Pigs, and teases her next project.
The star of The World to Come gives a career-best performance in this hardscrabble tale of female longing.
The writer/director on channelling John Ford for his first foray into the American frontier, News of the World.
The writer/director shares her love of Paris Hilton and her frustrations with the way we talk about women in film.
The screen icon talks Tarantino, the delayed Django Lives!, and the time he got naked for John Huston.
The master filmmaker behind Mank on Orson Welles, Pauline Kael and realising a passion project after a 30-year wait.
By Leila Latif
The genre prodigy talks perfect casting and practical effects in his latest shocker, Possessor.
By Aaron Hunt
The director reflects on the making of his triumphant ode to Black culture and resilience, Small Axe.
The renowned character actor reveals how Josephine Decker nudged him out of his comfort zone.
The star and producer of Shirley on the enticements of strong, complex female characters.
A decade of hard graft across stage, screen and TV has resulted in a bone-rattling lead turn in political horror, His House.
By Leila Latif
The actor and director discuss the shared experiences that inspired their bittersweet love letter to their spiritual home.
By Aaron Hunt
The director discusses her stark interrogation of the destructive stasis of the carceral state, Time.
Breaking into the local post office was deep research for the artworld multi-hypenate’s superb new film, Kajillionaire.
The documentary maker attempts to cheat death with her life-affirming latest, Dick Johnson Is Dead.
By Rogan Graham
Don’t be fooled by the surface-level frivolity of Miss Juneteenth says its canny, thoughtful director.
The director of She Dies Tomorrow opens up about how anxiety and existential dread feed her creative spirit.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
