The Palestinian filmmaker discusses his new film It Must Be Heaven and finding humour in human displacement.
The modern master of folk horror reveals the inspiration behind his forest freakout In the Earth.
The great comedy actor explains how she played it straight for Aleem Khan’s moving debut feature After Love.
The veteran character actor chats Sound of Metal, D/deaf representation and performing ASL as Ozzy Osbourne.
The legendary jazz musician and two-time Oscar nominee shares his creative process.
Carey Mulligan is into taking risks, and her role as Cassie Thomas might just be her biggest one yet.
The writer/director and on-screen father-son tell the story of how they captured cinematic lightning in a bottle.
The writer/director of Sound of Metal discusses replicating the experience of deafness on screen.
By Leila Latif
The actor discusses the ambiguity of his role in Judas and the Black Messiah while espousing peace, love and connectivity.
By Grace Z Li
The Birds of Prey director reflects on her 2018 debut feature Dead Pigs, and teases her next project.
The star of The World to Come gives a career-best performance in this hardscrabble tale of female longing.
The writer/director on channelling John Ford for his first foray into the American frontier, News of the World.
The writer/director shares her love of Paris Hilton and her frustrations with the way we talk about women in film.
The screen icon talks Tarantino, the delayed Django Lives!, and the time he got naked for John Huston.
The master filmmaker behind Mank on Orson Welles, Pauline Kael and realising a passion project after a 30-year wait.
By Leila Latif
The genre prodigy talks perfect casting and practical effects in his latest shocker, Possessor.
By Aaron Hunt
The director reflects on the making of his triumphant ode to Black culture and resilience, Small Axe.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
