One of the most successful filmmakers of all time talks Alita: Battle Angel, Avatar and the future of cinema.
The Moonlight director sits down to pick apart his wonderful James Baldwin adaptation, If Beale Street Could Talk.
The Boy Erased director chats filmmaking, family and his upcoming role in David Michôd’s The King.
By Matt Thrift
The South Korean maestro talks literary inspiration and his mysterious new psychodrama, Burning.
By Rowan Woods
One half of the cross-country buddy comedy Green Book muses on changing political attitudes in Hollywood.
The loquacious actor (and latter-day perfumer) discusses his stellar turn as a silver-tongued grifter in Can You Ever Forgive Me?
From office buffoon to father of a teenage drug addict, the American actor is a veritable screen all-rounder.
The Danish devil talks about murder, movies and his sensational new film The House That Jack Built.
The British actor discusses her new film White Boy Rick and why she’s always looking to test herself.
They say you should never meet your heroes, but that’s just wrong. LWLies receives a valedictory audience with Hollywood royalty.
Human resources’ worst nightmare talks about his surreal ode to collectivised action, Sorry to Bother You.
The Chilean filmmaker discusses working with Rachel McAdams and Rachel Weisz on his English-language debut Disobedience.
The Mexican writer/director describes coming home to make Roma, his most profoundly personal film to date.
In memory of this British titan of cinema, who died at the age of 90, we resurface a fascinating archive interview.
The Japanese writer/director discusses the political implications of his Palme d’Or-winning drama Shoplifters.
The long-time actor, first-time director sits down with us to talk about his sublime debut feature, Wildlife.
The British actor reveals her personal connection to Mike Leigh’s historical epic.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
