The man behind Bob’s Burgers talks about the show’s transition to the big screen for a murder mystery musical.
The Argentinian enfant terrible on death, sex, his mature new film Vortex and why making TV shows isn’t worth his freedom.
The creative process under Covid takes centre stage in the director’s third collaboration with Nick Cave, co-starring his friend and frequent collaborator.
The We’re All Going to the World’s Fair director reflects on the importance of allowing trans filmmakers to tell their own stories.
The Belgian director of harrowing Cannes stand-out Playground on the intricacies of making a film from the perspective of kids.
Three decades after it first shocked audiences, John McNaughton's twisted thriller receives a 4K re-release courtesy of Arrow Films.
As he prepares to unleash hell in The Northman, we profile the Swedish actor who realises his lifelong dream with this Scandanavian epic.
The visionary director of The Northman talks scaling up production, his love of Viking culture, and the perils of working with a flock of birds.
The Dutch provocateur chats lesbian nuns, alternate realities and his undying love for Quentin Tarantino.
The director of Compartment No. 6 on the joys of filming on location – in this case, a vintage passenger train.
By Sam Moore
The producer of The Canyons and The Card Counter reflects on his experience working with one of Hollywood’s most outspoken auteurs.
By Leila Latif
As he plays an overwhelmed indie director in Judd Apatow’s Covid comedy, the actor talks stunts and believing there really are no small parts.
By Elena Lazic
The master of the erotic thriller talks Deep Water, his long absence, and working with Ben Affleck and Ana de Armas.
The star of Jacques Audiard’s Parisian drama reflects on her whirlwind journey from first-time actor to the Cannes red carpet.
The writer/director of The Worst Person in the World ponders love, death and the possibility of a cosmic order to all things.
By Elena Lazic
The beguiling star of Sebastian Meise’s Great Freedom reflects on his career so far and the future of cinema.
The man behind the return of Gotham’s favourite son reveals why Robert Pattinson was his first and only choice.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
