The Oscar Goes To...

Why Inu-Oh deserves the Oscar for Best Production Design

By Kambole Campbell

Masaaki Yuasa's animated epic is more than worthy of consideration beyond the narrow restrictions of the 'Best Animated Feature' category.

Why Pete Davidson should win the Best Supporting Actor Oscar

By Ella Kemp

His turn as the vapid, insecure David in Bodies Bodies Bodies proves there's more to Davidson than tabloid headlines and Saturday Night Live skits.

Why The Batman should win the Oscar for Best Cinematography

By Henry Bulmer

Taking inspiration from neo-noir, Matt Reeves and Greig Fraser created a brooding, impactful visual language for their take on the Caped Crusader.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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