Aya and the Witch tells the story of the smartest girl in the world and her hex-casting companion.
In the unrealised A Topiary, humankind discovers how to 3D-print organic matter.
The director has been processing the pandemic through the lens of classic cinema.
We Are One collects over 100 submissions from Berlin, Cannes and BFI London Film Festival.
And that’s the earliest projected date, according to a report from the Independent Cinema Office.
Antlered monstrosities, floating worms – just another day in Lynchland.
His heist thriller follows a crew of black veterans in search of treasure left behind years earlier.
Say hello to the esteemed filmmaker's little friend!
At this point, who among us can’t relate to Josephine Decker’s latest film?
Team Deakins digs into the finer points of cinematography and the film industry.
The stranger-than-fiction documentary tracks the fate of Biosphere 2, a self-contained geodesic dome.
The latest iteration of the Room H.264 series touches on the sweeping effects of coronavirus.
The pandemic has prompted the Directors’ Fortnight, Critics’ Week and Acid festivals to set their sights on 2021.
Though the US cinema chain has hit dire straits, the sky hasn’t begun falling yet.
Agnieszka Holland’s masterpiece Europa Europa is harrowing and gorgeous – and now available to watch online.
The late filmmaker and queer activist called Dungeness in Kent home during the latter years of his life.
150 movie theaters have signed up for the possibly game-changing Kino Marquee.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
