Cannes Film Festival

The seven best films from the 51st Cannes Directors’ Fortnight

By Ed Frankl

Melina León’s Song Without a Name and Robert Eggers’ The Lighthouse were among our highlights of this year’s Quinzaine.

It Must Be Heaven – first look review

By Charles Bramesco

Palestinian filmmaker Elia Suleiman hits the road, but home follows close behind.

Bong Joon-ho’s Parasite wins the Palme d’Or at Cannes 2019

By Hannah Woodhead

The South Korean director’s social satire takes top honours among a mixed bag of winners at this year’s festival.

Sibyl – first look review

By Hannah Woodhead

Adèle Exarchopoulos and Virginie Efira star in this trite psychodrama from writer/director Justine Triet.

The Gangster, The Cop, The Devil – first look review

By Michael Leader

A welcome dose of crooked cops and violent crims spices up the dying days of the 2019 Cannes Film Festival.

The Bears’ Famous Invasion of Sicily – first look review

By Jake Cunningham

Dino Buzzati’s 1945 children’s novel is transformed into a wonderful animated allegory.

Chicuarotes – first look review

By Ella Kemp

Gael García Bernal directs this sorry parable about a pair of criminalised teenage clowns.

Matthias & Maxime – first look review

By Hannah Woodhead

Xavier Dolan returns to his Québécois roots in this soulful ballad about male friendship and unspoken desire.

Parasite – first look review

By Hannah Woodhead

Bong Joon-ho is back with a dark, spiky and hilarious social satire about the seductive nature of greed.

Once Upon a Time in Hollywood – first look review

By Hannah Woodhead

Quentin Tarantino knocks it out of the park with this personal love letter to LA, in all its dirty sexy glory.

Jeanne – first look review

By Beth Webb

Bruno Dumont’s sequel to his musical portrait of a young Joan of Arc is endurance cinema at its most epic.

Frankie – first look review

By Charles Bramesco

Isabelle Huppert gives a gentle tour de force in Ira Sachs’ existential Portuguese getaway.

Tommaso – first look review

By Tom Bond

Ferrara digs deep into his personal life to deliver a moving character study starring Willem Dafoe.

Young Ahmed – first look review

By Charles Bramesco

The Dardenne brothers’ latest focuses on a young Islamic extremist with a deadly mission.

The Lighthouse – first look review

By Michael Leader

Robert Pattinson and Willem Dafoe are on top form in Robert Eggers’ stark maritime nightmare.

Portrait of a Lady on Fire – first look review

By Adam Woodward

A painter falls in love with her subject in Céline Sciamma’s masterfully composed period piece.

Diego Maradona – first look review

By Adam Woodward

The team behind Amy and Senna tackle the highs and lows of a controversial footballing icon.

What are you looking for?

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design