Cannes Film Festival

A monochrome image of a man in a suit and hat standing next to a vintage car.
Festivals

The Disappearance of Josef Mengele – first-look review

by Mark Asch

Russian exile filmmaker Kirill Serebrennikov selects Auschwitz’s “Angel of Death“ as the subject of the first film made in his new home, Germany.
Three people standing next to an open van in a desert landscape, one person wearing a white wedding dress and the other two wearing casual clothes.
Festivals

It Was Just an Accident – first-look review

by David Jenkins

Iranian director Jafar Panahi delivers a Palme-ready thriller exploring the high price of revenge on a potentially evil man.
An elderly woman with white hair wearing a purple jacket, standing in front of a large colourful Ferris wheel.
Festivals

Eleanor the Great – first-look review

by Hannah Strong

June Squibb plays a spirited nonagenarian who moves back to New York from Florida in Scarlett Johansson's underwhelmed directorial debut.
Two men wearing sunglasses and red jackets seated in a car.
Festivals

Once Upon a Time in Gaza – first-look review

by Yasmine Kandil

Arab and Tarzan Nasser's thriller transports us to 2007, where two friends running a drug dealing business out of a falafel cart soon come into conflict with a corrupt police officer.
Woman in brown coat stands in front of wall of wooden drawers.
Festivals

Vie Priveé – first-look review

by Sophie Monks Kaufman

Jodie Foster stars as a psychiatrist trying to solve a potential murder in Rebecca Zlotowski's underwhelming drama.
Three men riding on a train carriage, one wearing a baseball cap and jacket.
Festivals

Highest 2 Lowest – first-look review

by Mark Asch

Denzel Washington stars in Spike Lee's updated version of Akira Kurosawa's High and Low, about a music mogul who is targeted by a vengeful kidnapper.
A woman in a gold sequinned dress and a man in a patterned shirt stand together in a room with other people in the background.
Festivals

Eagles of the Republic – first-look review

by David Jenkins

A slick screen icon becomes a political pawn in this brash movie industry satire-cum-political spy thriller from Tarik Saleh.
Four people, two men and two women, standing on wooden steps outdoors.
Festivals

Splitsville – first-look review

by Hannah Strong

Two couples find themselves caught up in a love quadrangle after one of them separate in Michael Angelo Covino's romantic comedy.
Young woman with curly dark hair wearing a white tank top, with a pensive expression on her face.
Festivals

Alpha – first-look review

by Hannah Strong

Returning to Cannes after winning the Palme d'Or for Titane, Julia Ducournau shifts gears with a unique drama inspired by the AIDS crisis.
Group of hikers walking on rocky, grassy trail with dog.
Festivals

The Love That Remains – first-look review

by Mark Asch

Hlynur Pálmason's close-to-home new dramedy documents a year in the life of a family following the parents' separation.

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