By Callie Petch
Twenty-five years ago Barry Sonnenfeld's workplace action-comedy broke the rules and launched an iconic franchise.
By Callie Petch
Adam Smith creates a disorientating, immersive experience through innovative camera work and editing in The Chemical Brothers: Don't Think.
By Callie Petch
Michael Winterbottom’s portrait of the Madchester scene is enduring proof that films about musicians don’t have to beatify their subjects.
By Callie Petch
Writer/director Natalie Morales crafts one of the pandemic era’s most moving and effective odes to long-distanced intimacy.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
