By Callie Petch
The latest documentary about the Britpop comeback kings sadly doesn't reveal much that we didn't already know from previous film outings.
By Callie Petch
A ruined applejack maker attempts to become a successful fur trapper in Mike Cheslik’s hysterical and inventive love letter to slapstick cinema.
By Callie Petch
One of cinema's leading hard men, the former model and Commonwealth diver has carved out a dependable – and at times greatly entertaining – niche.
By Callie Petch
The music documentarians discuss piecing together a history of the LES scene which birthed LCD Soundsystem, The Strokes, and Yeah Yeah Yeahs.
By Callie Petch
Comedy is a frequently overlooked genre when it comes to prestigious awards, but Jackass Forever proves that it takes a lot of effort to effortlessly look foolish.
By Callie Petch
She Said, Call Jane, Hidden Letters and Women Talking form a quartet that depicts how women have worked to create their own means of rebelling against abuses from the patriarchy.
By Callie Petch
The twin journeys of Robyn and Mebh toward self-acceptance reflect the real-life journey of many queer and gender-nonconforming people toward embracing their identity.
By Callie Petch
The co-director of the weird and wonderful stop motion modern classic ParaNorman reflects on the film's legacy a decade later.
By Callie Petch
A father impersonates a young woman online in a bid to get closer to his son in James Morosini's promising but frustrating debut.
By Callie Petch
Cartoon Saloon return with a poignant tale of a boy who sets out on a quest to find a dragon in peril.
By Callie Petch
Twenty-five years ago Barry Sonnenfeld's workplace action-comedy broke the rules and launched an iconic franchise.
By Callie Petch
Adam Smith creates a disorientating, immersive experience through innovative camera work and editing in The Chemical Brothers: Don't Think.
By Callie Petch
Michael Winterbottom’s portrait of the Madchester scene is enduring proof that films about musicians don’t have to beatify their subjects.
By Callie Petch
Writer/director Natalie Morales crafts one of the pandemic era’s most moving and effective odes to long-distanced intimacy.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
