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Bring Them Down review – a chilling neo-western

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Tensions reach fever pitch in a rural Irish farming community in Christopher Andrews' fierce feature debut.

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The Colours Within review – hits with the power of a dodgeball

By Josh Slater-Williams

Anime director Naoko Yamada returns with a wonderful coming-of-ager set in a Catholic girls' boarding school.

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Hard Truths review – incredible in small, measured strokes

By Mark Asch

Reuniting with Marianne Jean-Baptiste, Mike Leigh makes a welcome return to contemporary filmmaking with a searing portrait of a woman on the brink.

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Presence review – an enjoyably swift chiller

By Manuela Lazic

Steven Soderbergh plays with the cinematic form to craft a compelling story about family dynamics and grief.

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The Brutalist review – gorgeous, capital-C Cinema

By Hannah Strong

Adrien Brody is phenomenal in Brady Corbet's sublime three-and-a-half hour drama, as a Jewish architect arrives in post-war America to a hostile new world.

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Babygirl review – intelligent, elegant adult filmmaking

By Hannah Strong

Halina Reijn's psychodrama sees Nicole Kidman and Harris Dickinson go toe-to-toe as a CEO and an intern who become embroiled in a complex illicit affair.

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Maria review – a tender eulogy for a remarkable talent

By Hannah Strong

Angelina Jolie has never been better as the legendary opera singer Maria Callas, captured in the final week of her life by Pablo Larraín's elegant biographical drama.

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The Girl With The Needle review – politically pertinent Gothic horror story

By David Jenkins

Magnus von Horn brings subtlety and empathy to the serial killer genre in this extraordinary true-life yarn.

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A Real Pain review – an amusing and compelling inquiry into human pain and suffering

By Katherine McLaughlin

Based on a trip he took to Poland with his own cousin, Jesse Eisenberg crafts a sensitive dramedy co-starring Kieran Culkin.

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Wallace & Gromit: Vengeance Most Fowl review – an Aardman banger

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The eccentric inventor and his incredibly patient pooch return in a new adventure from Aardman Animation.

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Better Man review – chimply irresistible

By Hannah Strong

Ridiculously enjoyable Robbie Williams biopic with the bold gambit of having a CG-chimpanzee in the title role paying off handsomely.

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Nosferatu review – an earthy, erotic masterwork

By Charles Bramesco

Robert Eggers realises a lifelong dream in reimagining the tale of Count Orlok, with spellbinding results.

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Nickel Boys review – a miracle of a movie

By Sam Bodrojan

With this adaptation of Colson Whiteheads Pulitzer Prize-winning novel, filmmaker RaMell Ross delivers 2024’s most harrowing and transcendent film.

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Queer review – Burroughs would be proud

By Hannah Strong

Luca Guadagnino heads on down to Mexico with Daniel Craig and Drew Starkey in his freewheeling take on William S. Burroughs’ eponymous novel.

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Favoriten review – a moving exploration into the artistic potential of children

By Jordan Cronk

Over three years, Ruth Beckermann documents school life in a multicultural working class district of Vienna.

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All We Imagine as Light review – this one is for the lover girls

By Jenna Mahale

Payal Kapadia's first fiction feature is a gorgeous romance concerning the lives of two contrasting nurses in present-day Mumbai.

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Bird review – a magical, energetic marvel

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Social and magical realism merge in Andrea Arnold’s scintillating Thames Estuary fable about the friendship between a latchkey kid and a smiling wanderer searching for home.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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