Posts by Leila Latif

Shuchi Talati: ‘I grew up in a context where there was so much shame around female sexuality’

By Leila Latif

The writer/director of lilting coming-of-age yarn, Girls Will be Girls, stresses the importance of capturing human intimacy with an air of authenticity.

Naomi Ackie: ‘I know that feeling of wanting something that is just out of reach’

By Leila Latif

The star of Zoë Kravitz's vacation thriller Blink Twice talks through her connection to her character, a past life as a waitress and learning to slow down.

Zoë Kravitz: ‘Directing is what I’ve always wanted to do’

By Leila Latif

The co-writer, producer and director of Blink Twice reflects on the long journey her first feature took from idea to actualisation.

Babes review – a true bundle of joy

By Leila Latif

Two lifelong best friends find their relationship tested as one of them navigates single motherhood in Pamela Adlon's delightful directorial debut.

review LWLies Recommends

Foe review – bewitching and terrifyingly plausible

By Leila Latif

Saoirse Ronan, Paul Mescal and Aaron Pierre star in Garth Davies' unnerving sci-fi drama, based on Iain Reid's novel about a couple's disturbed existence in an America ravaged by climate change.

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The Creator review – welcome, benevolent A.I. overlords!

By Leila Latif

Gareth Edwards serves up a visually ambitious story of war between humans and A.I. beings in this heartfelt sci-fi spectacle.

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Haunted Mansion review – feels more like a product than a story

By Leila Latif

Justin Simien attempts to breathe life into Disney's latest ride-based franchise starter, but despite a fine cast the results are a little scattered.

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Chevalier

By Leila Latif

Joseph Bologne receives a gorgeous biopic that also serves as a devastating reminder of a greatness nearly entirely expunged from history.

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Spider-Man: Across The Spider-Verse

By Leila Latif

Miles Morales returns as the web-slinging hero of Brooklyn in this smart sequel which defies expectations.

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The Little Mermaid

By Leila Latif

Halle Bailey’s charms can’t distract from all the bizarre choices at the heart of this underwhelming live-action remake.

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Alice Diop: ‘A fictional space could reveal my point of view’

By Leila Latif

The filmmaker behind the remarkable Saint Omer explains how her own experience informed the creation of her intimate legal drama.

Don Cheadle: ‘Filmmaking is a very risk-averse business’

By Leila Latif

The veteran actor, musician and director speaks about his role in Noah Baumbach's White Noise, and what his long tenure in Hollywood has taught him about the world.

Call Jane

By Leila Latif

Chicago's Underground Abortion Network and a housewife's unwanted pregnancy lie at the centre of Phyllis Nagy's directorial debut.

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Blonde

By Leila Latif

Andrew Dominik’s warts-and-all portrait of tragic Hollywood icon Marilyn Monroe is as surreal as it is sad.

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Blonde – first-look review

By Leila Latif

Andrew Dominik’s adaptation of Joyce Carol Oates’ behemoth Marilyn Monroe novel is a surreal, anarchic take on celebrity and womanhood.

Dead for a Dollar – first-look review

By Leila Latif

There should be a warrant out for someone's arrest after this dire western from Walter Hill.

All the Beauty and the Bloodshed – first-look review

By Leila Latif

Laura Poitras documents US artist Nan Goldin's attempts to expose the Sackler family for their role in the US opioid crisis, but with mixed results.

Orphan: First Kill

By Leila Latif

Malevolent conwoman Esther gets a backstory in this strangely overdue and unintentionally funny prequel to the 2009 hit.

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Where the Crawdads Sing

By Leila Latif

A social outcast with a love of nature is accused of murder in Olivia Newman’s pretty but vacant adaptation of Delia Owens’ best-selling novel.

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Good Luck to You, Leo Grande

By Leila Latif

A retired widow sets out on a journey of sexual discovery in Sophie Hyde’s sensual, sex-positive dramedy.

review LWLies Recommends

Jurassic World: Dominion

By Leila Latif

The return of some familiar faces can’t save this dire dino flick from feeling like a cynical cash grab.

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Fred Armisen: ‘I’m wimpy about pain’

By Leila Latif

As he plays an overwhelmed indie director in Judd Apatow’s Covid comedy, the actor talks stunts and believing there really are no small parts.

The Bubble

By Leila Latif

Judd Apatow assembles a star-studded cast for this surprisingly fun Covid-themed comedy.

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La Mif

By Leila Latif

Fred Baillif’s third fiction feature is a riveting and bristling examination of trauma and the need for familial intimacy.

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Cyrano

By Leila Latif

Joe Wright returns to his wheelhouse with a big-screen musical adaptation of Edmond Rostand’s Cyrano de Bergerac.

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Julia Garner scams her way to the top in Inventing Anna

By Leila Latif

The latest ripped-from-the-headlines drama is glossy but potentially as toxic as its girlboss villain.

Alice – first-look review

By Leila Latif

KeKe Palmer plays an enslaved woman who makes a shocking discovery in Krystin Ver Linden’s misjudged thriller.

Nightmare Alley

By Leila Latif

The great Guillermo del Toro returns with this deliciously-dark tale of a circus huckster who takes things too far.

review LWLies Recommends

Being the Ricardos

By Leila Latif

Nicole Kidman and Javier Bardem play TV legends Lucille Ball and Desi Arnaz in Aaron Sorkin’s snappy biopic.

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King Richard

By Leila Latif

Reinaldo Marcus Green gets the best out of Will Smith in this biopic of Venus and Serena Williams’ father and coach.

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Lashana Lynch: ‘A lot of nations need to own up to their history’

By Leila Latif

The British star of ear for eye on why the conversation around race needs to extend beyond the Black community.

Midnight Mass is a thrilling tribute to Stephen King’s literary legacy

By Leila Latif

Mike Flanagan’s latest Netflix outing, set in a small island community, is his most ambitious and personal work to date.

Candyman

By Leila Latif

Nia DaCosta re-examines the white saviour and Black boogeyman tropes in her bold horror reimagining.

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Nia DaCosta: ‘Candyman turns the white-saviour narrative on its head’

By Leila Latif

The industrious director reveals how she put a personal stamp on her Jordan Peele-produced refit of a horror classic.

Free Guy

By Leila Latif

Ryan Reynolds has an existential crisis inside a video game in this mostly entertaining action-adventure-comedy.

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Summer of Soul (…Or, When the Revolution Could Not Be Televised)

By Leila Latif

Questlove’s rhapsodic documentary revives the long-forgotten 1969 Harlem Cultural Festival, aka ‘Black Woodstock’.

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A new film season explores what it means to be mixed heritage

By Leila Latif

T A P E Collective discuss their BFI takeover and why representation is at the heart of their programming ethos.

The enduring legacy of Ousmane Sembène

By Leila Latif

A new restoration of his long out-of-print 1968 film Mandabi offers cause to celebrate the late Senegalese maverick.

After Love

By Leila Latif

Joanna Scanlan’s Islamic convert goes on a literal and metaphorical journey following the death of her husband.

review LWLies Recommends

Violation

By Leila Latif

Dusty Mancinelli and Madeleine Sims-Fewer’s gruelling rape revenge thriller shrewdly subverts the genre.

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LaKeith Stanfield: ‘There’s a big fear about people of colour being in power’

By Leila Latif

The actor discusses the ambiguity of his role in Judas and the Black Messiah while espousing peace, love and connectivity.

The Scary of Sixty-First – first-look review

By Leila Latif

A woman becomes possessed by the spirit of one of Jeffrey Epstein’s victims in this misguided psychological horror.

Tina – first-look review

By Leila Latif

Tina Turner has the final say on her tumultuous life and glittering career in this all-access documentary.

Verdict

By Leila Latif

This sensitive and harrowing portrait of domestic abuse looks at how the justice system fails women.

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Judas and the Black Messiah

By Leila Latif

Commanding performances from LaKeith Stanfield and Daniel Kaluuya power this electrifying Black Panther drama.

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Life in a Day 2020

By Leila Latif

Kevin Macdonald updates his crowdsourced 2010 documentary to give a glimpse of life on Earth in the age of Covid.

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Passing – first-look review

By Leila Latif

Ruth Negga and Tessa Thompson star in this slow-paced but perceptive race drama from Rebecca Hall.

Summer of Soul (…Or, When the Revolution Could Not Be Televised) – first-look review

By Leila Latif

Questlove’s triumphant directorial debut charts the cultural impact and legacy of the 1969 Harlem Cultural Festival.

Il Mio Corpo

By Leila Latif

Michele Pennetta trains his camera on a young Nigerian migrant living in Sicily in this poetic docudrama.

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Watch this powerful new film about white guilt and Black womanhood

By Leila Latif

Somalia Seaton’s A Response to Your Message is a personal reflection on this year’s Black Lives Matter protests.

I’m Your Woman

By Leila Latif

Rachel Brosnahan sheds her Mrs Maisel shtick in this compelling road movie about a woman on the run.

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Brandon Cronenberg: ‘We built a wax Andrea Riseborough’

By Leila Latif

The genre prodigy talks perfect casting and practical effects in his latest shocker, Possessor.

Possessor

By Leila Latif

Brandon Cronenberg follows up his impressive debut Antiviral with a visceral slice of hallucinatory ultraviolence.

review LWLies Recommends

Love Child

By Leila Latif

Eva Mulvad’s moving docudrama sees an Iranian couple flee their home to follow their hearts.

review LWLies Recommends

Henry: Portrait of a Serial Killer is a terrifying look at the banality of evil

By Leila Latif

John McNaughton’s infamous 1986 horror possesses a raw nihilistic power and uncompromising brutality.

The Painter and the Thief

By Leila Latif

A Czech artist develops an unlikely bond with the man who stole her work in this compassionate documentary.

review LWLies Recommends

The Witches

By Leila Latif

Roald Dahl’s timeless children’s story is reimagined as a saccharine caper – but at least the cast are having fun.

review

Raise Hell: The Life and Times of Molly Ivins

By Leila Latif

A roistering doc profile of the late, liberal tub-thumper who worked at The New York Times.

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One Man and His Shoes

By Leila Latif

This intriguing documentary explores the intersection between African American culture and basketball sneakers.

review

Cordelia

By Leila Latif

Sporadically absorbing psychodrama in which a traumatised woman has a fling with her mysterious neighbour.

review

After Love – first-look review

By Leila Latif

Joanna Scanlan plays a Muslim convert who discovers a secret about her husband in Aleem Khan’s moving drama.

African Apocalypse and the painful legacy of ‘Heart of Darkness’

By Leila Latif

A new documentary gives a voice to the silenced natives in Joseph Conrad’s colonialist novel.

Body of Water

By Leila Latif

Lucy Brydon’s bold debut charts a woman’s struggle to rebuild her life while in recovery from an eating disorder.

review

Riz Ahmed and Bassam Tariq on the personal journey of Mogul Mowgli

By Leila Latif

The actor and director discuss the shared experiences that inspired their bittersweet love letter to their spiritual home.

I Am Woman

By Leila Latif

Pop music and women’s liberation come to the fore in director Unjoo Moon’s slight biopic of Helen Reddy.

review

Mulan

By Leila Latif

Disney’s live action remake ditches the kitsch and catchy songs – and is arguably weaker for it.

review

Da 5 Bloods

By Leila Latif

Spike Lee tackles black trauma, white saviourism and the ingloriousness of war in this searing Vietnam epic.

review LWLies Recommends

A take-down of movies about nice guys who pester women

By Leila Latif

Exploring the rich and disturbing cinematic history of benign stalking. Whoever said nice guys finish last?

Jordan Peele’s The Twilight Zone is a worthy successor to Rod Serling’s original

By Leila Latif

The Get Out and Us director has delivered a fresh set of sci-fi nightmares.

Mommie Dearest: The changing face of maternal horror cinema

By Leila Latif

A Quiet Place and Hereditary are the latest films to challenge idealised notions of motherhood.

The complex cinematic legacy of Martin Luther King Jr

By Leila Latif

Fifty years after his death, does the Civil Rights Leader’s on screen image belie his true nature?

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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