The young actor carries the thematic weight of Chris Morris’ jihadist satire on his shoulders.
The founder of Ghetto Film School discusses the challenges of improving the visibility of marginalised groups.
With Justice League rumoured to be three hours in length, we ask: how much is too much?
James Baldwin discusses the future of America in this powerful archive footage.
‘Ain’t It Funny’ features a bizarre cameo from fellow filmmaker Gus Van Sant.
She’s been cast as a female rodeo star in the writer/director’s Bronco Belle.
Will the director borrow any of the original’s surreal elements for his forthcoming live-action version?
The Neon Demon director is working on a new update of William Lustig’s cult classic from 1988.
Wily resistance fighters take on wicked foreign occupiers in this breathless period thriller set in 1920s Korea.
Almost 200 independent cinemas have pledged to screen Michael Radford’s Orwellian adaptation.
Harmony Korine won’t be in the director’s chair, but it’s set to arrive on a new streaming platform and on an unusual format.
Wes Anderson, Sofia Coppola and Christopher Nolan feature in this amazing crop of short works.
The Nightingale will tell the dark history of colonialism in Australia.
A selection of iconic film art from the slacker generation.
Take a first look at Nick Park’s claymation caveman adventure.
Julian Barratt plays a washed-up TV actor in this brilliant new comedy.
Read this and other surprising revelations in a fascinating new profile of the director.
A new trailer for DC’s standalone adventure tale hints at its heroine’s badass back story.
Frat boy hazing becomes a metaphor for slavery in this muddled drama from director Gerard McMurray.
The pair are working on a biopic about the first man on the Moon.
Suppurating slime mould takes the limelight in this eccentric, sci-fi themed documentary.
Doomed projects like David Cronenberg’s Frankenstein are discussed in Untold Horror.
The director is launching a vital new initiative called The African Film Heritage Project.
The story of how the famously provocative Danish director lost control on his 2011 film, Melancholia.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
