By Sophie Brown
Terrence Malick observes the calm and the chaos that fluctuate beneath the unpredictability of life.
Pedro Almodóvar’s latest is an intoxicating elixir of dark fantasy, sick obsession and all-consuming desire.
Jon Favreau’s genre mash-up is yet another underwhelming summer brouhaha that fails to up the ante.
This unlikely reboot is a relatively modest B-movie bolstered by A-grade technical wizardry.
The life and times of Nim Chimpsky make for an extraordinary and tragic tale from director James Marsh.
By Matt Glasby
JJ Abrams delivers big in this enthralling nostalgia trip to small-town USA circa the 1970s.
A pure, wonderfully animated story of friendship against the odds from an emerging anime voice.
Despite a stand-out performance from an old pro, Beginners keeps the audience at a distance.
In an already strong year for British film this isn’t quite ambitious enough to stand out.
A glorious ode to the improbability of existence which asks us to cherish the simple processes of living and loving.
By Anton Bitel
You won’t see a masked vigilante movie more morally responsible or edgy this side of The Dark Knight.
By Julian White
This is a deceptively powerful movie by one of Iran’s finest directors.
An ejaculatory mess that seeks to medicate its audience with a glut of whizz-bang spills and vein-bulging fist pumps.
By Lewis Bazley
A fast, thrilling and unashamedly old-fashioned adventure that falls in with Marvel’s best.
By Kevin Maher
The real shock is that this story of pre-wedding tensions amongst six mismatched bridesmaids is not Apatow-by-numbers.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
