By Paul Weedon
Initially known for its experimental output, Bristol-based Invada Records has spent the last decade and a half carving a reputation for its carefully curated roster of film soundtracks.
By Paul Weedon
Black Rebel Motorcycle Club’s co-founder reflects on going head-to-head with director Paul Schrader.
By Paul Weedon
The British musician discusses collaborating with director Ari Aster on his haunting folk horror.
By Paul Weedon
Guitarist Stuart Braithwaite reflects on the band’s latest original score for the sci-fi action movie Kin.
By Paul Weedon
Ursine Vulpine, whose work has appeared in teasers for Alien: Covenant and The Last Jedi, discusses his creative process.
By Paul Weedon
The composing pair break down their sparse score for Ben Wheatley’s latest.
By Paul Weedon
The experimental German composer discusses his favourite OST.
By Paul Weedon
The Devo frontman discusses the pair’s collaborations and plans for a Wes Anderson theme park.
By Paul Weedon
The man behind the scores for The Tree of Life and Knight of Cups reveals what it’s like working with the enigmatic director.
By Paul Weedon
Soviet maestro Mikael Tariverdiev scored over a 100 films in a remarkable career that spanned five decades.
By Paul Weedon
A remarkable feature debut from Andrew Haigh signals an exciting new voice in LGBT cinema.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
