First Person

Mogwai on how to turn a film score into an album

By Paul Weedon

Guitarist Stuart Braithwaite reflects on the band’s latest original score for the sci-fi action movie Kin.

Lauren Greenfield: ‘Authentic culture is being destroyed by capitalism’

By Thomas Curry

The award-winning documentary filmmaker discusses her latest chronicle of capitalist America, Generation Wealth.

Sara Driver: ‘You dream a film before you make it’

By David Jenkins

The New York artist-filmmaker discusses her intimate new profile of Jean-Michel Basquiat.

‘It changed the whole look of American film’ – Remembering Midnight Cowboy

By Hannah Woodhead

Adam Holender and Michael Childers reflect on the making of this iconic New York movie.

Paul Popplewell: From 24 Hour Party People to Journeyman

By David Jenkins

The stalwart British actor runs us through some of his scene-stealing career moments.

How to shoot a movie in the Congo

By David Jenkins

Director Emmanuel Gras discusses the moral mine field of his gruelling Cannes prize-winner, Makala.

Beyond Infinity: Lee Unkrich on the past, present and future of Pixar

By Hannah Woodhead

The co-director of Toy Story 2 and 3, Finding Nemo and Coco reflects on his two decades at the animation studio.

Robert Yeoman on shooting Wes Anderson’s Bottle Rocket

By Sophie Monks Kaufman

The cinematographer recalls how the pair hit it off on the director’s 1996 debut feature.

Ai Weiwei on documenting the ‘greatest global crisis since World War Two’

By Stefan Pape

The artist and activist opens up about the profound experience of making his new film Human Flow.

Oneohtrix Point Never discusses his intoxicating Good Time score

By Adam Woodward

Musician Daniel Lopatin on soundtracking the Safdie brothers’ stunning latest.

The Safdie brothers’ guide to shooting New York City

By David Jenkins

The Good Time directors reveal the secret to capturing the essence of their home town on screen.

S Craig Zahler: ‘Shooting graphic violence is like setting up a magic trick’

By Adam Woodward

The director of Bone Tomahawk and Brawl in Cell Block 99 on his distinct approach to genre filmmaking.

Dissecting Audrey’s Dance with Twin Peaks star Sherilyn Fenn

By Martyn Conterio

The actress reveals how Prince inspired an iconic moment from the recent third season.

The Story of a Scene: David Lowery on A Ghost Story

By Manuela Lazic

The writer/director reveals how he convinced Rooney Mara to eat a pie for his haunting drama.

The story of Kuso, by Flying Lotus

By Gabriela Helfet

We met the musician-turned-movie director to talk Twitter, George Clinton and his sick cine-opus.

Riley Keough on why she loves working on independent movies

By Charles Bramesco

The American star discusses her role in the claustrophobic thriller It Comes at Night.

What are you looking for?

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design