Woody Allen follows up the biggest hit of his career with an exercise in smug mediocrity.
The film that Iranian Oscar-winner Asghar Farhadi made before A Separation gets a long-awaited UK release.
Meet Looper, by a country mile the most resourceful, vivacious and savage science fiction movie of 2012.
This sublime Portuguese fantasia from director Miguel Gomes will likely feature heavily on best of year lists.
By Andy Tweddle
Lauren Greenfield’s rag-to-riches-to-rags-to-riches doc is a potent and entertaining essay on consumer culture.
In his liquor-soaked Prohibition-era drama John Hillcoat offers an imperfect depiction of family, masculinity and authority.
Alex Garland takes another sweep at bringing the infamous 2000AD strip to the screen. The results are sensational.
For his final trick, Orson Welles will deliver a fruity, funny film essay. And astonishing it is too!
In the spirit of this gung-ho tale about a militarist old boys network, three reviewers sit down for a chat about The Expendables 2.
Alison Klayman directs this absorbing, stirring documentary portrait of the controversial Chinese artist.
Fernando Meirelles globetrotting ensemble drama is a contrived, bubble-wrapped portrait of the global village.
Far from being a lean and exciting action caper, The Bourne Legacy wastes far too much time trying to justify its own existence.
Brit Marling shines in this creepy cult sci-fi movie that has its genre cake and eats it.
The directorial debut from Family Guy creator Seth MacFarlane is as deliciously salty as it is unexpectedly sweet.
By Vadim Rizov
Andrew Kötting and Iain Sinclair navigate a swan-shaped pedalo down the Thames in this madcap odyssey.
Christopher Nolan’s baroque opus is a worthy trilogy closer, both seriously epic and epically serious.
By Carmen Gray
A stunningly original, poetic yet unpretentious film about astronomy and the trauma of military dictatorship.
Despite a few comic book movie trappings, The Amazing Spider-Man is a major success story.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
