In Terence Davies’ postwar melodrama, she turns Hester Collyer into one of cinema’s great tragic heroines.
Terence Davies’ handsome biopic of the poet Siegfried Sassoon is a lament for lost youth and stolen love.
This year’s LFF programme comprises 39 per cent female and 40 per cent ethnically diverse directors/creators.
With Wes Anderson, Leos Carax and Paul Verhoeven locked in, we’re ready to keep the rumour mill turning.
While we await his next feature, Benediction, there’s news of his adaptation of The Post Office Girl.
Our noughties ranking reaches the midway point, as Amélie, Oldboy and Spider-Man 2 all make the cut.
Two films at the San Sebastian Film Festival showcase a more old school way of depicting the bittersweet passage of time.
The director’s 1992 drama is among the most tender coming-of-age films ever made.
From The Colour of Pomegranates to A Quiet Passion, seek out these fascinating portraits of verse-makers.
Cynthia Nixon gives an astonishing performance as the tortured American poet Emily Dickinson.
The star of A Quiet Passion reveals how she conveyed her character’s mental and physical pain.
Agyness Deyn shimmers in the first trailer for Terence Davies’ latest cinematic marvel.
By Jason Wood
Terence Davies’ wartime tragi-romance is filmmaking of the highest order.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
