Hopes were sky high for James Gray’s lavish NY period drama, but this one left us cold.
A teen rite of passage drama with a political twist from French maestro Olivier Assayas.
The boys are back for some misc Tex-Mex high-jinx in order to get Zak Galifianakis to the nut hatch.
By Lewis Bazley
The chase/stunt/joke formula is played to diminishing returns in the latest instalment of this 18-wheeler franchise.
Cumberbitches rest easy: JJ Abrams ably navigates the USS Enterprise through dark skies.
Matthew McConaughey’s sublime transformation into A Serious Actor continues apace with this ripping Souther thriller.
The first feature film from Austin-based animation powerhouse, Don Hertzfeldt, is a rapturous joy to behold.
The superhero movie gets a Dickensian meta-comedy treatment care of writer/director Shane Black.
Pedro Almodóvar returns with a gaudy, mile-high sex romp that harks back to his trashy formative years.
By Anton Bitel
An indulgent and original horror bonanza from auteur-in-the making, Rob Zombie.
Ryan Gosling puts the pedal to the metal (again) in this over-reaching melodrama from the director of Blue Valentine.
Is this neon-hued apocalyptic party movie Harmony Korine’s masterpiece? We think it might be...
Literary prodigy writes rings around his prof in the spry latest from arty teaser François Ozon.
There’s distinctive new voice booming from Brazil (and it sounds a lot like John Carpenter).
By Anton Bitel
Palme d’Or winner Cristian Mungiu returns with a searing love story that riffs on both The Exorcist and Black Narcissus.
Ridley Scott directing. Cormac McCarthy writing. Michael Fassbender starring. What could possibly go wrong?
Operatic style can’t paste over the meagre, far-fetched substance in Oldboy director Park Chan-wook’s English-language debut.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
