Articles

Pixar set to open experimental animated shorts department

By Amy Bowker

The studio aims to explore new creative visions through more radical storytelling.

David Lynch’s Festival of Disruption announces killer 2017 line-up

By William Carroll

The director’s annual celebration returns with an exciting blend of music and film.

Why I love Hirokazu Koreeda’s Nobody Knows

By Amy Bowker

This understated 2004 drama is a perfect entry point for the Japanese director’s work.

Twin Peaks season 3 decoder: Blue rose

By Martyn Conterio

This mystery code word takes on a new meaning in the show’s latest episodes.

California man hits 88mph in his DeLorean, gets speeding ticket

By Amy Bowker

Unlike in the Back to the Future films, the space-time continuum has remained intact.

Paddington 2 gets a charming first-look trailer

By Little White Lies

Everyone’s favourite marmalade-loving bear in back in an all-new family adventure.

Why I love Dwayne Johnson’s performance in Pain & Gain

By Josh Slater-Williams

There’s more to his larger-than-life turn than meets the eye.

An SFX masterclass with Wonder Woman’s Paul McGuinness

By Caroline Stacey

The special effects whizz discusses crafting Wonder Woman’s shield and exploding Paddington’s oven.

Watch the criminally good first trailer for Logan Lucky

By Little White Lies

Daniel Craig, Channing Tatum and Adam Driver team up for Stephen Soderbergh’s heist caper.

Why I love Terence Davies’ The Long Day Closes

By Patrick Nabarro

The director’s 1992 drama is among the most tender coming-of-age films ever made.

Post-credits scenes for sequels that were never made

By Jason Ward

Classic teasers for unmade movies – from Sinestro’s cancelled spin-off to Skynet’s premature rebirth.

Why Sense8 is like nothing else on TV right now

By Ella Donald

The hit Netflix series is a dizzying, lavish feast that manages to feel epic and intimate at the same time.

Harry Styles and cast on working with Christopher Nolan’s Dunkirk

By Adam Woodward

The ensemble cast talk exclusively about their challenging roles in the upcoming war drama.

How The Lost World taught me that films can be cruel

By Josh Slater-Williams

A key death in Steven Spielberg’s 1997 sequel completely altered my perception of cinema.

How to draw a Studio Ghibli movie – with the director of The Red Turtle

By William Carroll

Michaël Dudok de Wit reveals how traditional animation comes to life.

The King of Kong is being turned into a musical

By William Carroll

Director Seth Gordon says his cult arcade game documentary is destined for the stage.

Why more actors need to take a leaf out of Nicole Kidman’s book

By Amy Bowker

She’s pledged to work with a female director every 18 months in a bid for greater gender equality.

The emasculation of Clint Eastwood in The Beguiled

By David Pountain

Don Siegel’s period thriller shows this icon of screen masculinity at his most pathetic and vulnerable.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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