By Adam Scovell
Nicholas Ray’s 1950 tale of male power, anger and violence is receiving a timely theatrical re-run.
It’s back to LA for QT as the writer/director’s next project begins to take shape.
By Anton Bitel
Sion Sono’s fantasy horror TAG features one of the most arresting opening sequences in movie history.
The writer/director’s dystopian arthouse flick holds a smudged mirror to white middle America.
By Nadia Latif
Spike Lee’s epic biopic of the black civil rights leader offers only glimpses of the great woman behind the man.
As Sidney Lumet’s seminal ’70s satire makes its way to the theatre, we ask is it just a load of sound and fury?
Join us at ICA London for three days of celluloid miracles, including films by Orson Welles and Agnés Varda.
By Jack Godwin
James Mangold’s 1997 crime drama saw the actor once again prove himself against the odds.
Remember Baghdad sheds light on a painful chapter in the nation’s history.
From Commando to Conan, Terminator to Twins, we size up the cultural icon’s ample body of work.
By Mark Allison
It’s 50 years since the director announced his arrival as a major new force in American cinema.
Musician Daniel Lopatin on soundtracking the Safdie brothers’ stunning latest.
The Good Time directors reveal the secret to capturing the essence of their home town on screen.
By Joe Boden
David Milch’s seminal western series is set for a big screen revival in 2018.
Shortform cinema to thrill and inspire, as chosen by LWLies and Staffordshire University.
By Anton Bitel
Black Christmas contains one of the earliest examples of the ‘final girl’ trope in horror cinema.
Todd Haynes’ 1995 film stars Julianne Moore as a woman who becomes “allergic to the 20th century”.
By Colin Biggs
Three films into the DCEU, the time to introduce a darker Man of Steel may have already passed.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
