By Al Horner
The pair’s new concept album ‘A Beginner’s Mind’ takes its cues from an eclectic list of films, from Mad Max to The Silence of the Lambs.
By Thomas Hobbs
The director’s 1995 tech noir isn’t her most critically or commercially successful film, but it might just be her most important.
Kathryn Bigelow returns with this expansive, rousing and overwrought cine-autopsy of the 1967 Detroit riots.
Kathryn Bigelow’s new film is part of a larger, ongoing cultural problem.
By Eve Watling
2017 is shaping up to be an exceptional year for women behind the camera.
By Sophie Wyatt
Take a first look at the director’s upcoming drama about the 1967 Detroit riots.
Wes Anderson, Kathryn Bigelow and Wong Kar-wai feature in the final part of our ’90s ranking.
Personal odes to some of the finest women directors from around the world.
The US election saga is being serialised by screenwriter Mark Boal.
In the first of a series of essays on Obama Era Cinema, Forrest Cardamenis counts the toll of US foreign policy during Barack Obama’s presidency.
By Thomas Hobbs
Despite so few opportunities for female directors, women are currently thriving in the cutting room.
By Katy Vans
Directors like Susanna White should be helming major franchises.
Kathryn Bigelow’s long-awaited directorial return is a commendably mature response to conflict.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
