This Cannes-winning working class musical from Portugal’s Pedro Pinho is not all it seems.
Old Slowhand receives the big life documentary treatment, with slightly uninspiring results.
Hugh Jackman brings boundless energy and enthusiasm to this crowd-pleasing circus musical.
The final film in Kay Cannon’s trilogy about a group of singing friends is more awk-apella than a cappella.
Sophie Fiennes offers a satisfyingly original portrait of the iconic singer, artist and occasional actor.
Filmmaker Alex Barrett delivers a gorgeous, poetic ode to this bustling and diverse city.
By Bojana Duric
Debut director Mark Gill offers an unofficial look at the formative years of Smiths frontman Morrissey.
By Thomas Hobbs
This lamentable tribute to Tupac Shakur is an exercise in how not to make a music biopic.
A key ingredient is missing from this tribute to the Fab Four’s seminal pop-rock LP: the music.
By Eve Watling
This doc about bile-spilling anarcho-rockers Sleaford Mods is also an encapsulation of working class malaise.
Emma Stone and Ryan Gosling are a match made in old-school movie heaven in this dazzling musical.
This stylish, urgent Chicago-set satire is a major return to form for its director, Spike Lee.
Say hello to one of 2016’s most likeable documentary subjects, as she overcomes misogyny with angry hip hop.
Peak Oasis proves an irresistible force in this explicit and invigorating documentary snapshot.
The director of Basic Instinct 2 makes a comeback with a musical-drama about Finding Your Voice.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
