Where do trailers end and movies begin? Zack Snyder has the answer with his fever-pitched latest.
Marvel’s lewd crude crime-fighting dude, as played by Ryan Reynolds, is as unfunny as he is uninteresting.
By Ian Mantgani
Federico Fellini’s iconic masterpiece is back on the big screen. Don’t miss it.
Kenneth Branagh’s refreshing, irony-free retelling of Cinderella with Downtown Abbey’s Lily James sliding on the glass slipper.
Not even Channing Tatum and Mila Kunis are enough to save the Wachowskis’ gnarly, garish space opera.
A sing-a-long review of this delightful screen adaptation of Stephen Sondheim’s classic musical.
The glorious, all-American fantasy land of Oz retains its power to charm despite a few questionable ideas.
Michel Gondry’s woozy take on an ‘unfilmable’ Boris Vian novel offers a cloudburst of astonishing visuals.
By Chris Blohm
A cast of thousands join together for this romping and witty superhero sequel from Bryan Singer.
Jean Cocteau’s ravishing and erotic masterwork is restored as part of BFI’s huge survey of Gothic cinema.
Familiarity trumps originality in this fun and very funny comic book sequel with Chris Hemsworth and Tom Hiddleston.
By Anton Bitel
Bloodsuckers hit the beach in Neil Jordan’s woozy and extremely violent British noir.
How could a gore-flecked take on the beloved Brothers’ Grimm fairy tale turn out to be such a write-off?
Tom Hanks and Halle Berry go all out to give the mad, multi-stranded sci-fi folly a bad name.
Ang Lee’s dazzling CG dreamworld basks in the danger of sea-bound solitude, but it all cloaks a big, banal religious metaphor.
Christopher Nolan’s baroque opus is a worthy trilogy closer, both seriously epic and epically serious.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
