Festivals

Exploring empathy through virtual reality at LFF

By Patrick Gamble

The 2022 LFF Expanded programme featured a number of virtual reality experiences which aimed to connect audiences and filmmakers more than ever.

Personality Crisis: One Night Only — first-look review

By Charles Bramesco

New York Dolls frontman David Johansen takes the stage in Martin Scorsese's latest music doc.

Klokkenluider – first-look review

By Josh Slater-Williams

Actor Neil Maskell makes his debut as a filmmaker with this spiky thriller.

Women Talking – first-look review

By Saffron Maeve

A group of women meet in secret to discuss escaping their abusive, isolated colony in Sarah Polley's adaptation of Miriam Towes' novel.

I Love My Dad – first-look review

By Callie Petch

A father impersonates a young woman online in a bid to get closer to his son in James Morosini's promising but frustrating debut.

A Cooler Climate – first-look review

By Charles Bramesco

James Ivory reminisces about a youthful year spent in Afghanistan with this cozy archival documentary.

My Father’s Dragon – first-look review

By Callie Petch

Cartoon Saloon return with a poignant tale of a boy who sets out on a quest to find a dragon in peril.

Walk Up – first-look review

By Weiting Liu

A filmmaker and his estranged daughter visit an old friend in Hong Sang-soo's latest riff on the connection between art and romance.

Mutzenbacher – first-look review

By Charles Bramesco

Ruth Beckermann enlists a hundred men to read passages from the controversial 19th century novel Josefine Mutzenbacher: The Life Story of a Viennese Whore.

Coma — first-look review

By Charles Bramesco

Bertrand Bonello's bouncing off the walls in this free-associative grab-bag of early lockdown anxieties.

TIFF’s Midnight Madness serves up controversy as well as gore

By Michelle Krasovitski

Amidst Weird Al and werewolves, there was another boogeyman at TIFF this year: copyright law.

Bruiser – first-look review

By Alexandria Slater

Miles Warren explores the dichotomy of nature vs nurture through a lost teenager’s longing for paternal guidance.

Prisoner’s Daughter – first-look review

By Alexandria Slater

Brian Cox plays a dying convict trying to free himself from the prison of his past through forgiveness of his daughter in Catherine Hardwicke’s formulaic family drama.

Something You Said Last Night – first-look review

By Marina Ashioti

Luis De Filippis' film is a great addition to a transgender cinematic canon in that it refuses to rely on overt explorations of trauma.

1976 – first-look review

By Marina Ashioti

This searingly intense character study sees a woman questioning her cosy bourgeois lifestyle in Pinochet’s Chile.

Empire of Light – first-look review

By Mark Asch

Olivia Colman channels her inner Anna Karina in director Sam Mendes’ mawkish ode to the magic of the movies.

A Jazzman’s Blues – first-look review

By Charles Bramesco

Tyler Perry tries his hand at serious-minded filmmaking with this overwrought Deep South melodrama.

The Greatest Beer Run Ever – first-look review

By Mark Asch

Zac Efron goes on a mission to bring tinnies to the troops in this banter-y Vietnam War movie misfire from Peter Farrelly.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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