New York Film Festival

Personality Crisis: One Night Only — first-look review

By Charles Bramesco

New York Dolls frontman David Johansen takes the stage in Martin Scorsese's latest music doc.

A Cooler Climate – first-look review

By Charles Bramesco

James Ivory reminisces about a youthful year spent in Afghanistan with this cozy archival documentary.

Walk Up – first-look review

By Weiting Liu

A filmmaker and his estranged daughter visit an old friend in Hong Sang-soo's latest riff on the connection between art and romance.

Mutzenbacher – first-look review

By Charles Bramesco

Ruth Beckermann enlists a hundred men to read passages from the controversial 19th century novel Josefine Mutzenbacher: The Life Story of a Viennese Whore.

Coma — first-look review

By Charles Bramesco

Bertrand Bonello's bouncing off the walls in this free-associative grab-bag of early lockdown anxieties.

C’mon C’mon – first-look review

By Charles Bramesco

Joaquin Phoenix and newcomer Woody Norman play uncle and nephew in Mike Mills’ tender drama about a family in flux.

Întregalde – first-look review

By Charles Bramesco

Three aid workers are led on a detour through darkest Transylvania in Radu Muntean’s allegorical intergenerational drama.

The Tragedy of Macbeth – first-look review

By Charles Bramesco

Something Coen this way comes... Denzel Washington and Frances McDormand star in this innovative take on the Bard.

French Exit – first-look review

By Charles Bramesco

Michelle Pfieffer prowls the upper social echelons of Paris and Manhattan in this trifling take on Patrick DeWitt’s novel.

Red, White and Blue – first-look review

By David Jenkins

John Boyega astonishes in Steve McQueen’s exploration of systemic racism in London’s Met police force.

Mangrove – first-look review

By Rogan Graham

Steve McQueen’s film about the Mangrove Nine trial is a masterful evocation of political determination.

Lovers Rock – first look review

By Hannah Strong

The first instalment in Steve McQueen’s Small Axe series is a soulful love letter to the West Indian dance scene in West London.

American Utopia – first-look review

By Charles Bramesco

Spike Lee’s film of David Byrne’s acclaimed Broadway performance is a transcendent cinematic experience.

Martin Scorsese’s The Irishman to open the 57th New York Film Festival

By Adam Woodward

The legendary director’s long-gestating mob epic will finally be unveiled 27 September.

The Lost City of Z – first look review

By Matthew Eng

James Gray returns with a deceptively traditional and wondrously transportive cinematic odyssey.

The Ornithologist – first look review

By Matthew Eng

Button-pushing auteur João Pedro Rodrigues returns with a work of tantalising, twisty spirituality.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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