Posts by Marina Ashioti

Disco Boy review – a bold yet banal character study

By Marina Ashioti

Two men in search of a better life meet by chance in the Niger Delta – one in the French Foreign Legion, the other a revolutionary with dreams of becoming a dancer.

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Give Me Pity! review – an experimental, esoteric extravaganza

By Marina Ashioti

A young woman's dream gig on television descends into chaos in Amanda Kramer's imaginative new melodrama.

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20 Days in Mariupol review – brave piece of frontline journalism

By Marina Ashioti

Ukrainian Associated Press journalist Mstyslav Chernov chronicles the the invasion of the port city of Mariupol.

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Once Upon a Time in Uganda review – an effusive love letter

By Marina Ashioti

This entertaining documentary celebrates the low-budget action movies of “Uganda’s Quentin Tarantino”, Isaac Nabwana.

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The full BFI London Film Festival 2023 line-up has been announced

By Marina Ashioti

Yorgos Lanthimos’ Poor Things and Emerald Fennell’s Saltburn are among the picks of this year’s bumper LFF crop.

Afire review – Petzold taps into his inner Rohmer

By Marina Ashioti

Christian Petzold returns with something lighter, funnier and more instantly-lovable than his recent run, bringing regular leading lady Paula Beer along for the ride.

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Baan – first-look review

By Marina Ashioti

In Leonor Teles's enigmatic second feature, spatial experimentation becomes geographic gap-bridging material.

Sweet Dreams – first-look review

By Marina Ashioti

Ena Sendijarević hits the sweet spot with this offbeat, surreal period piece set on a remote Indonesian island.

Animal – first-look review

By Marina Ashioti

Dimitra Vlagopoulou gives a knockout performance in Sofia Exarchou's resort-set second feature about a group of seasonal performers.

Kokomo City review – an impressively stylish debut

By Marina Ashioti

D Smith's lively documentary offers a bold exploration of transness, womanhood, Blackness and the sex industry.

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Medusa

By Marina Ashioti

A blend of horror and satire unveiling the violent paradoxes of religious hypocrisy and aesthetic expectations.

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Shabu

By Marina Ashioti

A teenager from Rotterdam attempts to make amends for totalling his grandmother’s car in Shamira Raphaëla’s fun, uplifting documentary.

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The Damned Don’t Cry

By Marina Ashioti

Fyzal Boulifa’s second feature bears witness to the the dysfunctional bond between a mother-son duo as they drift through urban Morocco.

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No Hard Feelings

By Marina Ashioti

Jennifer Lawrence stars as a woman hired to “date” a wealthy couple’s introverted son in Gene Stupnitsky's unfunny comedy.

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My Imaginary Country

By Marina Ashioti

A new vital work by Patricio Guzmán sees the documentary veteran turn his gaze towards a new generation of Chilean revolutionaries.

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Mad About the Boy: The Noël Coward Story

By Marina Ashioti

Barnaby Thompson celebrates the multifaceted life and work of legendary playwright Noël Coward with a perfunctory profile doc.

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Under the Fig Trees

By Marina Ashioti

Developed alongside her cast of non-professional actors, Erige Sehiri builds an intimate fiction debut set in the Tunisian countryside.

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The Blue Caftan

By Marina Ashioti

In her second feature, Maryam Touzani fashions a complex tale about love that aptly deals with the complexities of repressed sexuality.

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Blue Bag Life

By Marina Ashioti

Rebecca Lloyd-Evans and Lisa Selby’s feature documentary aims to explore the interconnected prisms of addiction and unorthodox motherhood.

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Please Baby Please

By Marina Ashioti

Amanda Kramer's alluring, neon-lit musical feature sees a newlywed couple catapulted into a queer awakening.

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1976

By Marina Ashioti

Manuela Martelli's auspicious debut feature unfurls as a searingly intense character study against the backdrop of Pinochet’s Chile.

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Afire – first-look review

By Marina Ashioti

Christian Petzold returns with something lighter, funnier and more instantly-lovable than his recent run, bringing regular leading lady Paula Beer along for the ride.

Music – first-look review

By Marina Ashioti

The latest from formally-daring German filmmaker Angela Schanelec is an exciting and impenetrable take on the Oedipus myth.

Tótem – first-look review

By Marina Ashioti

Lila Avilés’ affecting second feature explores the essence of impending loss through the eyes of a young child.

Disco Boy – first-look review

By Marina Ashioti

The stories of a French Foreign Legionnaire and a Nigerian guerrilla fighter converge in Giacomo Abbruzzese’s frustrating feature debut.

The Beast in the Jungle – first-look review

By Marina Ashioti

Patric Chiha loosely interprets Henry James in this hazy, seductive nightclub-set drama.

You Resemble Me

By Marina Ashioti

After two young sisters separated from each other in foster care, the eldest struggles to find her place in the world in Dina Amer's affecting drama.

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All The Beauty and the Bloodshed

By Marina Ashioti

Laura Poitras' portrait of activist and artist Nan Goldin is a damning indictment of the US pharmaceutical industry and a touching look at a familial tragedy.

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Nascondino (Hide & Seek)

By Marina Ashioti

This lyrical observational documentary by debutant Victoria Fiore follow’s a young boy growing up on the streets of Naples.

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Exploring community at the 2022 Queer Wave Film Festival

By Marina Ashioti

A thriving local queer scene has been steadily emerging in the city of Nicosia thanks to the programmers of Queer Wave and Sessions.

Vicky Krieps: ‘I would close my eyes and hold Sissi on my right hand and Romy Schneider on my left’

By Marina Ashioti

The star of Marie Kreutzer's Corsage reveals the demanding details of portraying an empress.

Three Minutes: A Lengthening

By Marina Ashioti

A home movie becomes an important historical artefact, revealing the devastation of the Holocaust for the Jewish residents of a small Polish town.

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Lynch/Oz

By Marina Ashioti

Alexandre O Philippe traces the connection between David Lynch and Victor Fleming's The Wizard of Oz.

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A Bunch of Amateurs

By Marina Ashioti

A charming documentary about Britain’s oldest amateur filmmaking club puts a quintessentially Northern story in the spotlight.

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Cette Maison

By Marina Ashioti

Miryam Charles' debut is a stunning drama that takes direct inspiration from her cousin's unexpected death.

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Sebastián Lelio: ‘We need better stories if we want to have better societies’

By Marina Ashioti

The Chilean director on the very contemporary political and philosophical questions at the core of literary period piece, The Wonder.

The Cordillera of Dreams

By Marina Ashioti

Master filmmaker Patricio Guzmán turns his gaze to the enigmatic Andean mountain range as he examines the troubled histories of Chile.

review LWLies Recommends

Girls Girls Girls

By Marina Ashioti

Alli Haapasalo’s vibrant, sex-positive depiction of the highs and lows of modern girlhood is as charming as it is unapologetic.

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Something You Said Last Night – first-look review

By Marina Ashioti

Luis De Filippis' film is a great addition to a transgender cinematic canon in that it refuses to rely on overt explorations of trauma.

1976 – first-look review

By Marina Ashioti

This searingly intense character study sees a woman questioning her cosy bourgeois lifestyle in Pinochet’s Chile.

The art of adapting short films into feature-length movies

By Marina Ashioti

Eddie Sternberg discusses the risks and challenges of expanding his 2015 short into a feature-length film.

Hatching

By Marina Ashioti

Hanna Bergholm's directorial debut is a cracking, artfully-crafted creature feature set in a gaudy suburban dollhouse.

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Dry Ground Burning

By Marina Ashioti

Joana Pimenta and Adirley Queirós blur fiction and documentary in their hybrid tale of Brazilian resistance, independence and survival.

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The full 2022 BFI London Film Festival line-up has been announced

By Marina Ashioti

From Glass Onion to Decision to Leave, this year’s cinematic bonanza is packed to the gills with discovery and delight.

The Feast

By Marina Ashioti

A cautionary tale about environmental exploitation veers into predictability in Lee Haven Jones' slow-burn directorial debut.

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Hit the Road

By Marina Ashioti

A family embarks on a perilous road trip in Iranian director Panah Pahani’s assured, darkly comic debut.

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A Chiara

By Marina Ashioti

A teenage girl discovers dark family secrets when she investigates the sudden disappearance of her father.

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Donna

By Marina Ashioti

Jay Bedwani presents a captivating portrait of drag icon Donna Personna as she writes a play to commemorate the bravery of her trans sisters.

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Moon, 66 Questions

By Marina Ashioti

Jacqueline Lentzou's distinctively poetic debut feature offers a heartfelt study of unconventional family dynamics.

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This Much I Know To Be True

By Marina Ashioti

Nick Cave and Warren Ellis perform an intimate yet expansive session at the Battersea Arts Centre. The results are mesmerising.

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Casablanca Beats

By Marina Ashioti

A former rapper sets up a hip-hop programme for the participants of his local youth group in Nabil Ayouch’s well-meaning drama.

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Saint-Narcisse

By Marina Ashioti

Queercore godhead Bruce LaBruce returns with a wild, camp incest odyssey set in 1970s Quebec.

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Prayers For The Stolen

By Marina Ashioti

Tatiana Huezo’s first narrative feature is a masterfully evocative portrait of coming of age in the shadow of Mexico’s narco wars.

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Discover a classic, booze-fuelled sequence of female self discovery

By Marina Ashioti

In praise of Juho Kuosmanen’s Compartment No. 6 and a scene of human connection around shots of moonshine.

A Night of Knowing Nothing

By Marina Ashioti

The relationship between the art of filmmaking and the necessity of protest lies at the heart of Payal Kapadia’s spellbinding feature debut.

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Escape to the Silver Globe – first-look review

By Marina Ashioti

A Polish documentary explores the history and artistic trauma surrounding Andrzej Żuławski’s fragmented sci-fi magnum opus.

A House Made of Splinters – first-look review

By Marina Ashioti

Prescient and deeply affecting Ukraine-set doc exploring the lives of children displaced by the country's 2014 invasion.

Scene Stealers: Piano practice stand-off in The Power of the Dog

By Marina Ashioti

Our series on the most spell-binding moments from 2022’s Best Picture Nominees continues with Jane Campion’s tense take on the Old West.

River

By Marina Ashioti

Not even Willem Dafoe’s narration can save this meandering documentary with tired colonial overtones.

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Europa

By Marina Ashioti

A young Iraqi refugee seeks refuge in Bulgaria in writer/director Haider Rashid’s heart-stopping drama.

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Rebel Dread

By Marina Ashioti

William E Badgley trains his camera on cult figure Don Letts, chronicling the collision between the UK’s punk and reggae scenes.

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A Journal for Jordan

By Marina Ashioti

Denzel Washington’s fourth directorial effort is a story of love, loss and sacrifice told through the journal of Charles Monroe King.

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Cicada

By Marina Ashioti

A bookstore meet-cute leads to a transformative relationship for two gay men in Matthew Fifer and Kieran Mulcare’s drama.

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Cow

By Marina Ashioti

Andrea Arnold’s long-awaited fifth feature is a remarkable and visceral assault on the senses.

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The 355

By Marina Ashioti

Jessica Chastain’s passion project is a questionable espionage thriller that flaunts its international cast of A-Listers.

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Ailey

By Marina Ashioti

This tender and affecting documentary on a visionary of contemporary dance offers a glimpse of the man behind the genius.

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There is No Evil

By Marina Ashioti

This anthology film from director Mohammad Rasoulof explores the social consequences of Iran’s death penalty.

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Christmas gift guide 2021 – Great ideas for film lovers

By Marina Ashioti

From books and Blu-rays to pins and games, we’ve got your Christmas shopping for movie fans covered.

Rebel Dykes

By Marina Ashioti

This fittingly radical documentary chronicles the feminist punk subculture which sprung in London in the 1980s.

review LWLies Recommends

Reggie Yates: ‘We seldom see Black British coming-of-age stories’

By Marina Ashioti

How a love of cars, London and UK garage informed the writer/director’s madcap debut feature, Pirates.

Natural Light

By Marina Ashioti

This atmospheric World War Two drama from Hungarian director Dénes Nagy is too dour for its own good.

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Becoming Cousteau

By Marina Ashioti

An entertaining deep dive into the adventure-filled travails of famed oceanographer and filmmaker Jacques Cousteau.

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Sweetheart

By Marina Ashioti

Teenage romance blossoms by the seaside in first-time director Marley Morrison’s caravan park-set coming-of-ager.

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The Alpinist

By Marina Ashioti

This gripping biopic of the enigmatic Marc-André Leclerc captures the essence of solo alpine free climbing.

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The Collini Case

By Marina Ashioti

Morality, justice and the limits of the law are explored in this clichéd adaptation of Ferdinand von Schirach’s bestselling novel.

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Copilot

By Marina Ashioti

Anne Zohra Berrached’s ’90s-set romance fictionalises the private life of United 93 hijacker Ziad Jarrah and his lover.

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Sabaya

By Marina Ashioti

A sombre and emotive documentary depicting the painful realities of the Islamic State’s reign of terror.

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The Night House

By Marina Ashioti

David Bruckner’s architectural horror stands up to the contemporary challenges of dabbling with ghosts and jump scares.

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Boys from County Hell

By Marina Ashioti

Writer/director Chris Baugh’s vampire comedy-horror fails to breathe new life into a stale genre.

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Is this the first major artistic response to life under the pandemic?

By Marina Ashioti

Manchester International Festival returns to the city, reflecting a broad spectrum of culture, visual arts and performance

Uncovering a new wave of innovative Greek documentaries

By Marina Ashioti

The 23th Thessaloniki Documentary Festival showcases a selection of top homegrown talent.

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