By Mark Asch
Léa Seydoux plays a TV journalist in Bruno Dumont’s satire-of-sorts about France’s relationship with its media and itself.
By Mark Asch
Tilda Swinton is extraordinary in a film by Apichatpong Weerasethakul which comprises of “pure vibes”.
By Mark Asch
Kirill Serebrennikov’s delirious latest offers a strikingly singular vision of life in post-Soviet Russia.
By Mark Asch
Sean Penn returns to Cannes five years after the fiasco of The Last Face with a somehow even more calamitous family drama.
By Mark Asch
This delicate Finnish comedy of social and political manners has all the trappings of an arthouse crowd-pleaser.
By Mark Asch
Mahamat-Saleh Haroun’s bright, hopeful film addresses the persistent issue of women’s reproductive health in present-day Chad.
By Mark Asch
Portuguese master Pedro Costa charts a Cape Verdean émigré’s journey through the outskirts of Lisbon.
By Mark Asch
Clint Eastwood continues his stellar run of films about unlikely American heroes hunted by the spotlight.
By Mark Asch
Clint Eastwood directs and stars in this outstanding American road movie about an ageing drug runner.
By Mark Asch
The inhabitants of a Turkish retirement home contemplate life’s big questions in this captivating doc from Shevaun Mizrahi.
By Mark Asch
Rejecting the physics of an ever-expanding comic book universe, Bryan Singer’s Superman reboot has passed the test of time.
By Mark Asch
Everything is connected – including Peter Adolphsen’s ‘Machine’ and Terrence Malick’s 2011 film.
By Mark Asch
Intimidating and otherworldly, the Australian actor’s impeccable physique has earned him the title of Manliest Man in Hollywood.
By Mark Asch
Robert Eggers’ film provides an evocative reminder of the anxieties, fears and early religious beliefs that shaped the New World.
By Mark Asch
A kaleidoscopic and intentionally lurid gangster rap battle movie from Japanese provocateur Sion Sono.
By Mark Asch
One of cinema’s Old Masters returns with this poetic and profound dissection of art and storytelling.
By Mark Asch
A meek and mild school teacher spirals into Aussie Hell in this riveting, repellant restoration.
By Mark Asch
One of classic cinema’s great, uncategorisable outliers returns triumphantly to the big screen.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
