Scott Z Burns’ docudrama exposes some hard truths about the CIA’s anti-terrorism tactics.
By Emily Gett
From Senator Padmé to Jacqueline Kennedy, the actor has always relished playing complex, self-empowered characters.
Quentin Tarantino’s ninth feature is gearing up for its awards season run with 10 additional minutes of footage.
The director returns from the comic-book wilds for a zombie heist flick.
By Amanda Keats
Linda Hamilton’s return in Dark Fate reminds us why her complex heroine is so vital to the series.
Discover new work by exciting young talent courtesy of Random Acts and Channel 4.
The discourse will not be satisfied until Terrence Malick descends from his mountaintop stronghold.
HBO’s remix of Alan Moore’s graphic novel is a strange, complicated beast – and all the better for it.
By Ronan Doyle
This year’s Iris Prize Film Festival in Cardiff showcased emerging trends across the spectrum of queer cinema.
This year’s edition of the Montreal-based festival showed the value of giving marginalised native filmmakers a platform.
By Jake Cole
Released in 1999, Bringing Out the Dead is a clear response to the perceived ambiguity of Taxi Driver.
At the 63rd BFI London Film Festival, five films directed by women signalled a new chapter for Korean cinema.
The writer-directors maps out the past, present and future of cinema through its depiction of… surgery?
By Thomas Hobbs
The lead singer of art pop duo Tune-Yards’ discusses the cartoony genius of John Morris’ famed score.
It may or may not have something to do with the much-discussed Bruce Lee scene.
The horror novelist par excellence has turned his home into a museum/writers' retreat.
By Adam Scovell
Robert Fuest’s And Soon the Darkness foreshadows both The Wicker Man and The Texas Chain Saw Massacre.
By Leigh Singer
The film’s directors and star Zack Gottsagen, who has Down syndrome, discuss overcoming industry stigma.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
