My Boy is the latest micro-budget drama from British writer/director Charlotte Regan.
It’s a classic boy-meets-girl-who-can-control-the-rain story.
Her playful, emotionally nuanced turn is the beating heart of Billy Wilder’s classic romantic comedy.
The French maestro on his acerbic new film Non-Fiction and why he’s a software rather than a hardware guy.
By James Clarke
In praise of David Lynch’s 1999 drama, a film about moving slowly and gently in a hard and fast world.
By Steph Green
Through its volunteer-led screenings, Talkies is encouraging local audiences to reconnect.
This slow-burn folk horror set in old, weird England marks the auspicious return of talented British director Thomas Clay.
Disney+ will soon be a repository for kiddie films forgotten by time.
Director Matthew Rankin discusses his experimental debut feature The Twentieth Century.
Ang Lee’s sci-fi thriller explores male intimacy and dependency through a time-honoured trope.
By Lynsey Ford
Based on The Who’s 1973 rock opera, Franc Roddam’s Brit drama remains a thrilling testament to youth in revolt.
By Tom Duggins
Film is no longer the most culturally important medium for young people, but some directors are striking back.
The auteur makes his debut as actor in the upcoming Pseudo Idealist.
And that’s just the setup for the animation studio latest...
Cosmo Jarvis shines in this portrait of flawed, inarticulate masculinity by first-time feature director Nathalie Biancheri.
By Jenna Mahale
Writer/director Sasie Sealy discusses the making of her “risky” debut feature, Lucky Grandma.
Luca Marinelli will don the King of Terror’s cowl for Italian filmmakers Marco and Antonio Manetti.
The French-Senegalese auteur won big at Cannes for her striking debut feature.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
