Michael Haneke

Happy End

By David Jenkins

Europe’s refugee crisis backdrops this unconventional family drama from deadpan master Michael Haneke.

review

Michael Haneke: ‘I use the internet, but I don’t have time to waste on social media’

By David Jenkins

The Austrian auteur explains why he had to create a Facebook account for his new film, Happy End.

What to see at New Horizons Film Festival 2017

By Matt Thrift

Poland’s biggest arthouse extravaganza returns with a special tribute to Jacques Rivette.

Happy End – first look review

By David Jenkins

The new film by Michael Haneke is not happy and doesn’t have an ending. Other than that, it’s harrowing business as usual.

Why Funny Games remains just as shocking 20 years on

By Stephen Puddicombe

Michael Haneke’s home invasion horror is a chilling satire of violence in popular entertainment.

The 2017 Cannes Film Festival line-up has been announced

By David Jenkins

Yorgos Lanthimos, Bong Joon-ho and Sofia Coppola all have films in the main competition.

Is this the Cannes 2017 competition line-up?

By Little White Lies

We predict 20 titles that might just make an appearance at the world’s greatest film festival in May.

Why do we watch horror movies?

By Colin Biggs

For many of us it’s a case of escapism, but for others horror cinema can be at once scary and soothing.

An acting class with Isabelle Huppert

By David Jenkins

The screen icon discusses her craft plus her upcoming roles in Mia Hansen-Løve’s Things to Come and Michael Haneke’s Happy End.

The White Ribbon

By Jonathan Crocker

Time will tell if this is Michael Haneke’s masterpiece, but it’s certainly one of the year’s best.

review LWLies Recommends

Funny Games

By Matt Bochenski

Michael Haneke’s latest is an attack on everything you think you know about cinema. It’s a brutal beating.

review

Hidden

By Kevin Maher

Daniel Auteuil and Juliette Binoche are terrorised by mysterious surveillance tapes in Michael Haneke’s gripping drama.

review

What are you looking for?

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design