Features

Woman and Child – first-look review

By David Jenkins

Love and humour gives way to bitterness and rancour in this slick and involving portrait of an Iranian family in turmoil from Saeed Roustaee.

Love on Trial – first-look review

By Hannah Strong

A young J-pop singer must choose between love and stardom in Koji Fukada's gentle romantic drama.

Romería – first-look review

By Rafa Sales Ross

This semiautobiographical drama from Golden Bear-winner Carla Simón makes for a heartfelt exploration on the joys and pains of extended family.

Heads or Tails? – first-look review

By Mark Asch

Alessio Rigo de Righi and Matteo Zoppis deliver a spirited western ballad about a young woman seeking freedom and her daring lover.

Sorry, Baby – first-look review

By Hannah Strong

A brilliant young academic struggles to come to terms with the aftermath of a sexual assault in Eva Victor's moving dramedy.

Sentimental Value – first-look review

By Hannah Strong

Renate Reinsve plays an actress struggling with the sudden return of her estranged father in Joachim Trier's latest drama.

The History of Sound – first-look review

By Hannah Strong

Two musicians set out to record the folk songs of rural America in Oliver Hermanus' restrained but affecting drama.

The Disappearance of Josef Mengele – first-look review

By Mark Asch

Russian exile filmmaker Kirill Serebrennikov selects Auschwitz’s “Angel of Death“ as the subject of the first film made in his new home, Germany.

Just A Simple Accident – first-look review

By David Jenkins

Iranian director Jafar Panahi delivers a Palme-ready thriller exploring the high price of revenge on a potentially evil man.

Eleanor the Great – first-look review

By Hannah Strong

June Squibb plays a spirited nonagenarian who moves back to New York from Florida in Scarlett Johansson's underwhelmed directorial debut.

Once Upon a Time in Gaza – first-look review

By Yasmine Kandil

Arab and Tarzan Nasser's thriller transports us to 2007, where two friends running a drug dealing business out of a falafel cart soon come into conflict with a corrupt police officer.

Vie Priveé – first-look review

By Sophie Monks Kaufman

Jodie Foster stars as a psychiatrist trying to solve a potential murder in Rebecca Zlotowski's underwhelming drama.

Highest 2 Lowest – first-look review

By Mark Asch

Denzel Washington stars in Spike Lee's updated version of Akira Kurosawa's High and Low, about a music mogul who is targeted by a vengeful kidnapper.

LWLies 108: The Phoenician Scheme issue: Out now!

By Little White Lies

Pack your bags for a madcap, cross-country adventure with our issue dedicated to Wes Anderson’s latest, The Phoenician Scheme.

Eagles of the Republic – first-look review

By David Jenkins

A slick screen icon becomes a political pawn in this brash movie industry satire-cum-political spy thriller from Tarik Saleh.

Splitsville – first-look review

By Hannah Strong

Two couples find themselves caught up in a love quadrangle after one of them separate in Michael Angelo Covino's romantic comedy.

A new film festival aims to build a community for filmmakers

By Thomas Boyd

Launching in July, Collective Film Festival London will offer a variety of inclusive, international film screenings alongside multidisciplinary, DIY workshops.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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