A charming arms dealer heads on the road to redemption in this pristine shot of pure pleasure from filmmaker Wes Anderson.
Rosamund Pike and Matthew Rhys navigate parental fears in Babak Anvari’s gripping yet shaky psychological thriller.
Death comes a-calling once more in this long-overdue sixth instalment into the most morbid horror franchise around.
Amalia Ulman flexes her satirical writing chops, but her latest would have benefitted from more Chloë Sevigny and Simon Rex.
Ethan and the team take another crack at foiling a self-learning AI monster that’s hellbent on a global apocalypse.
Leos Carax delves through his own personal archive in this glorious essay film that’s in thrall to Jean-Luc Godard.
By Thomas Boyd
This inquisitive and thoughtful doc takes the massively-popular digital typing school programme as its cue for adventure.
A young enforcer for a Brazilian gangster finds himself hiding out at a sleazy sex hotel in Karim Aïnouz’s neo-noir.
Anchored by a talented cast clearly having the time of their lives, Andrew Ahn’s new banquet is a bit of a treat.
Unearthed love letters provide creative fuel for Icelandic singer Emilíana Torrini in this charming, music-fuelled character study.
There's a lot of superficial fun to be had with this superhero romp, which hasn’t been the case in the MCU for a long while.
David F Sandberg's tangentially related adaptation of Supermassive Games' horror hit forgets what made its video game source material so great.
Ben Affleck's autistic hitman with a gift for numbers returns in Gavin O'Connor's mismatched action thriller.
A young tennis star refuses to open about an abusive coach in Leonardo Van Dijl’s impressive feature debut.
Kiyoshi Kurosawa’s latest treads similar thematic territory to his prescient 2001 cyberhorror, through the prism of an e-commerce, vengeance-fuelled thriller.
A shy young girl embarks on a mission to save a mystical creature in Isaiah Saxon's throwback to the days of Amblin greatness.
Emilie Blichfeldt takes on medieval beauty standards in this gory reframing of the Brothers Grimm's classic take on Cinderella.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
