Why does cinema keep returning to America’s violent past?

By Alex Chambers

Matthew McConaughey drama Free State of Jones points to a fascination with the nation’s bloody origin story.

Love & Friendship

By David Jenkins

The peerless Whit Stillman returns with an ensemble Jane Austen adaptation like no other.

review LWLies Recommends

Whit Stillman: ‘There would be a lot more Jane Austen movies if there were dollar signs’

By David Jenkins

The dean of American comedy cinema talks tackling (and acing) a lost Jane Austen classic.

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Reviews

Mon Roi

By Adam Woodward

Emmanuelle Bercot and Vincent Cassel tear each other apart in this so-so relationship drama.

review

The Daughter

By Josh Slater-Williams

There’s a touch of Thomas Vinterberg about this impressive Aussie debut from Simon Stone.

review

The Trust

By Phil W Bayles

Elijah Wood and Nicolas Cage play a pair of crooked Las Vegas cops in this breezy heist caper.

review

Love & Friendship

By David Jenkins

The peerless Whit Stillman returns with an ensemble Jane Austen adaptation like no other.

review LWLies Recommends

Warcraft: The Beginning

By Anton Bitel

Despite the silly names and cheesy nerdism there’s plenty of fun to be had in Duncan Jones’ video game adaptation.

review

Streetdance Family

By Alex Chambers

Slick moves aside there’s little to take away from this high-energy, low-drama dance doc.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, LWLies has been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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