A new documentary boldly challenges our perceptions of death

By Matt Turner

Steven Eastwood’s Island follows four terminally ill people across the final year of their lives.

The enduring legacy of Claudia Weill’s Girlfriends

By Katie Goh

This overlooked classic pioneered an entire subgenre of films about women living in the big city.

LWLies 76: The Miseducation of Cameron Post

By Little White Lies

Desiree Akhavan’s sparkling conversion therapy drama graces the cover of our autumn issue.

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Reviews

Distant Constellation

By Mark Asch

The inhabitants of a Turkish retirement home contemplate life’s big questions in this captivating doc from Shevaun Mizrahi.

review LWLies Recommends

The Women (1939)

By Caroline Golum

Norma Shearer, Joan Crawford and Rosalind Russell are as sensational as ever in George Cukor’s classic Hollywood comedy.

review LWLies Recommends

Christopher Robin

By Ella Kemp

Piglet, Pooh and Tigger too are brought back to life in this big-hearted Disney live-action animation.

review

The Eyes of Orson Welles

By David Jenkins

Mark Cousins returns with an essay feature on the doodles and draftsmanship of Orson Welles.

review

The Equalizer 2

By Adam Woodward

Denzel Washington emphatically reaffirms his action star credentials in this slick sequel.

review

Mildred Pierce (1945)

By David Jenkins

In tandem with a big Joan Crawford retrospective, this moving noir scorcher returns to cinemas.

review LWLies Recommends

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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