By Elena Lazic
Despite Joseph Gordon-Levitt’s best efforts, Oliver Stone’s whistleblower drama feels completely disconnected from reality.
By Elena Lazic
Florence Pugh shines in this smart period drama from director William Oldroyd and screenwriter Alice Birch.
By Elena Lazic
This compelling true-crime doc provides an intelligent take down of media sensationalism.
Ben Wheatley shoots for full-on fun with this single location ensemble actioner. And he scores. Big time.
Bertrand Bonello stuns with this coolly exacting, lightly experimental take on the impulse modern terrorism.
Denzel Washington stars in this western remake, with many other exciting titles announced.
Director Roland Emmerich offers a laughably tin-eared take on ’60s gay counterculture.
Lucile Hadžihalilović makes a triumphant return with this experimental surgical horror (with added starfish).
Tsai Ming-Liang and his collaborator/muse Lee Kang-Sheng have a long, deep conversation about their relationship.
Legendary documentarian Frederick Wiseman’s ode to cultural diversity is a bustling profile of New York.
This cubist corporate musical set during the financial crash of 2008 oozes with boldness and creativity.
Michael Moore’s new movie is an example of a filmmaker with nothing valuable to say.
Ben Wheatley’s JG Ballard adaptation is a glowing cluster of stand-alone transgressions.
The latest from Japanese director Hirokazu Koreeda is sweet and saccharine to a fault.
Sandra Bullock tears up the political scene in La Paz in David Gordon Green’s feather-light political comedy.
This country music biopic starring Tom Hiddleston is a model of thoughtful restraint.
A top-tier festival opener arrives in the form of this scattershot yet thoughtful study of grief.