Joel Edgerton plays a horticulturist with a troubled past in Paul Schrader's beautiful but underwhelming drama.
By Mark Asch
The legendary filmmaker and writer reflects on his curious horticultural drama, Master Gardener, and reveals which of his films he thinks is the funniest.
Paul Schrader and Brett Easton Ellis's much-derided 2013 collaboration starring Lindsay Lohan is a sharper take on performance than it first appears.
Joel Edgerton plays a horticulturist with a troubled past in Paul Schrader's beautiful but underwhelming drama.
Luca Guadagnino, Andrew Dominik, Olivia Wilde, and many others are rumored to be locks for the Lido.
By Sam Moore
The producer of The Canyons and The Card Counter reflects on his experience working with one of Hollywood’s most outspoken auteurs.
Paul Schrader continues his God’s Lonely Man project with Oscar Isaac in-tow as a tormented professional poker player.
By Paul Weedon
Black Rebel Motorcycle Club’s co-founder reflects on going head-to-head with director Paul Schrader.
It’s Taxi Driver with poker chips in Paul Schrader’s phenomenally entertaining existential thriller.
He’s a card shark, vengeance-seeker, and possible war criminal in Paul Schrader’s new crime drama.
They’ll be joined by big names and exciting new talent, including Pedro Almodóvar, Ana Lily Amirpour and Pablo Larraín.
With Wes Anderson, Leos Carax and Paul Verhoeven locked in, we’re ready to keep the rumour mill turning.
The “three-year” series will dramatise the little-adapted ‘Apocrypha’, the excised sections of the Bible.
The writer/director is prepping The Card Counter, a tale of gambling and revenge.
By Jake Cole
Released in 1999, Bringing Out the Dead is a clear response to the perceived ambiguity of Taxi Driver.
Our annual countdown of the movies that made the biggest impression on us this year, from Hereditary to The House That Jack Built.
By Paul Ridd
Timothée Chalamet and Lucas Hedges are earning plaudits for their tender portrayals of troubled young men.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
