He’s a card shark, vengeance-seeker, and possible war criminal in Paul Schrader’s new crime drama.
They’ll be joined by big names and exciting new talent, including Pedro Almodóvar, Ana Lily Amirpour and Pablo Larraín.
With Wes Anderson, Leos Carax and Paul Verhoeven locked in, we’re ready to keep the rumour mill turning.
The “three-year” series will dramatise the little-adapted ‘Apocrypha’, the excised sections of the Bible.
The writer/director is prepping The Card Counter, a tale of gambling and revenge.
By Jake Cole
Released in 1999, Bringing Out the Dead is a clear response to the perceived ambiguity of Taxi Driver.
Our annual countdown of the movies that made the biggest impression on us this year, from Hereditary to The House That Jack Built.
By Paul Ridd
Timothée Chalamet and Lucas Hedges are earning plaudits for their tender portrayals of troubled young men.
A preacher struggles with a crisis of faith in Paul Schrader's mind-bending spiritual drama.
Forty years ago, director Michael Cimino set a masterful precedent for coming to terms with the trauma of war in The Deer Hunter.
There’s lots to look forward to at Sundance’s annual London showcase.
By Elena Lazic
Paul Schrader returns to the fray with a mediative masterwork powered by a stunning central turn from Ethan Hawke.
A comprehensive guide to the directing credits of this great American auteur, from Mean Streets to Hugo, Taxi Driver to Silence.
By Matt Thrift
The veteran Hollywood maverick talks Dog Eat Dog, Scorsese and the challenges of modern moviemaking.
By Elena Lazic
Paul Schrader’s 1980 film unashamedly objectifies Richard Gere’s narcissistic lead.
By Tom Graham
How Paul Schrader reinterpreted the fascinating story of the revered Japanese author.
Paul Schrader is having a party and you’re all invited with this utterly berserko Nic Cage crime caper.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
