We talk to the director of 2001 comedy masterpiece Ghost World ahead of an immersive London screening and soundtrack re-release.
The writer/director and star of The Souvenir discuss diaries, memories and the life-changing qualities of making art.
The director of Netflix’s prequel series reveals how Jim Henson inspired him to become a filmmaker.
The Mexican auteur reflects on Our Time whether those who create art are all-seeing creatures.
Akron’s finest chats riffing on George A Romero and fearing for our future in The Dead Don’t Die.
By Lou Thomas
The cult British writer/director discusses his surreal sartorial horror yarn, In Fabric.
The celebrated Chadian filmmaker on A Season in France and his humane approach to depicting migrants.
In 2006, the founder of Filter magazine got on the phone with Gene Wilder to discuss his life and work. Here is their conversation in full, re-printed for the first time.
The Hungarian writer/director of Son of Saul discusses his beguiling follow-up, Sunset.
By Matt Turner
The director of the excellent Too Late to Die Young talks about recreating a rural commune from her childhood.
The Hollywood filmmaker talks Welcome to Marwen, performance capture and predicting the rise of Trump.
The French actor discusses the challenges of playing French literary icon Marguerite Duras.
The emotional collateral of acting is the subject of Madeline’s Madeline, a unique new film by this exciting writer/director.
A journey through the wondrous and terrifying cinematic cosmos of the High Life director.
The British actor talks us through his chameleonic career, and explains why he worships at the altar of Claire Denis.
The French filmmaker and sometime MIA collaborator chats about his gangster epic The World Is Yours.
We slide into the DMs of the director and star of the year’s must-see middle school movie.
Happy as Lazzaro is an ethereal take on modern slavery and what it means to be happy. We meet its maker.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
