Festivals

The Whale – first-look review

By Hannah Strong

Brendan Fraser gives his all as a morbidly obese man trying to reconnect with his estranged daughter before his death.

Other People’s Children – first-look review

By David Jenkins

Rebecca Zlotowski’s wistful character study of a woman navigating the highs and lows of middle age bursts with passion and insight.

Pearl – first-look review

By Hannah Strong

Mia Goth reprises her role as a homicidal farm girl in Ti West's aesthetically pleasing but otherwise empty horror prequel.

Master Gardener – first-look review

By Hannah Strong

Joel Edgerton plays a horticulturist with a troubled past in Paul Schrader's beautiful but underwhelming drama.

All the Beauty and the Bloodshed – first-look review

By Leila Latif

Laura Poitras documents US artist Nan Goldin's attempts to expose the Sackler family for their role in the US opioid crisis, but with mixed results.

Athena – first-look review

By Hannah Strong

Tensions flair between a group of angry protesters and the police in Romain Gavras' stylish but frustrating action-drama.

Bones and All – first-look review

By Hannah Strong

Taylor Russell and Timothée Chalamet play a pair of young cannibals on a trans-America road trip in Luca Guadagnino's sweet, squelchy horror romance.

A Couple – first-look review

By Rafa Sales Ross

Frederick Wiseman reflects on the relationship between Leo Tolstoy and his wife Sophia Tolstaya in his first foray into fiction filmmaking.

Blue Jean – first-look review

By Hannah Strong

Georgia Oakley delivers an assured debut with her poignant portrait of a lesbian teacher living in Thatcher's Britain.

Bardo – first-look review

By Rafa Sales Ross

Alejandro G Iñárritu grapples with creative fulfilment and the Mexican diaspora in his sprawling, semi-autobiographical surrealist drama.

Tár – first-look review

By Hannah Strong

Cate Blanchett is captivating as formidable, world famous classical composer in Todd Fields’ frustrating study of the cult of genius.

The full 2022 BFI London Film Festival line-up has been announced

By Marina Ashioti

From Glass Onion to Decision to Leave, this year’s cinematic bonanza is packed to the gills with discovery and delight.

White Noise – first-look review

By Hannah Strong

Adam Driver and Greta Gerwig reunite as a couple grappling with their fear of death in Noah Baumbach’s adaptation of Don DeLillo’s novel.

Guy Maddin is bringing a new augmented-reality project to London Film Festival

By Charles Bramesco

He's leading today's wave of announcements concerning the 'LFF Expanded' programme of immersive art forms.

Neon Spring – first-look review

By Xuanlin Tham

A young woman with a difficult home life discovers Riga's rave scene in Matiss Kaza's fourth feature.

Husband – first-look review

By Xuanlin Tham

The trials and tribulations of one couple's relationship are under the microscope in Devorah Baum and Josh Appignanesi's frustrating documentary.

The Narrow Road – first-look review

By Xuanlin Tham

Lam Sum's Hong Kong-set Covid drama is tender but lacks incisiveness when it comes to the pandemic.

Human Flowers of Flesh – first-look review

By David Jenkins

Helena Wittman’s extraordinary seafaring anti-epic is a prime contender for the big prize at the 2022 Locarno Film Festival.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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