Posts by Rafaela Sales Ross

Four Daughters review – successfully bypasses the traps of the gratuitous

By Rafa Sales Ross

The latest documentary from Tunisian director Kaouther Ben Hania centers a quartet of young women whose lives are changed forever when two of them join ISIS.

review

Menus-Plaisirs Les Troisgros – first-look review

By Rafa Sales Ross

In his latest documentary, the American master Frederick Wiseman observes the routines of the Troisgros family and their three fine dining restaurants in France.

Housekeeping for Beginners – first-look review

By Rafa Sales Ross

Goran Stolevski's third feature is a story of queer solidarity in Northern Macedonia that doesn't quite come together.

Past Lives review – unravels as a marvel

By Rafa Sales Ross

Celine Song's feature debut is a tender exploration of multiethnic romance, complimented by nuanced performances from Greta Lee and John Magaro.

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Firebrand – first-look review

By Rafa Sales Ross

Karim Aïnouz's English language debut is a frustratingly buttoned-up take on the life of Henry VIII's final wife, Catherine Parr.

Four Daughters – first-look review

By Rafa Sales Ross

The latest documentary from Tunisian director Kaouther Ben Hania centers a quartet of young women whose lived are changed forever when two of them join ISIS.

The Eight Mountains

By Rafa Sales Ross

The lifelong friendship between two men is the subject of Felix van Groeningen and Charlotte Vandermeersch’s poignant Alps-set drama.

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Rachel Weisz and Alice Birch: ‘Siblings can be close, but this is a whole other level of codependency’

By Rafa Sales Ross

Actress and producer Rachel Weisz and writer Alice Birch lift the lid on their reimagining of David Cronenberg's chilling twin thriller.

The Plough – first-look review

By Rafa Sales Ross

Philippe Garrel enlists his three children for this family affair, in which a family of artistic puppeteers grapple with their patriarch's passing.

Past Lives – first-look review

By Rafa Sales Ross

Celine Song's feature debut is a tender exploration of multiethnic romance, complimented by nuanced performances from Greta Lee and John Magaro.

Plane

By Rafa Sales Ross

Gerard Butler plays a pilot whose plane goes down in a conflict zone in Jean-François Richet's surprisingly satisfying thriller.

review

Bardo, False Chronicle of a Handful of Truths

By Rafa Sales Ross

Alejandro G Iñárritu grapples with creative fulfilment and the Mexican diaspora in his sprawling, semi-autobiographical surrealist drama.

review

Charlotte Wells: ‘Adults are locked in the roles that they perform for kids’

By Rafa Sales Ross

The Scottish filmmaker behind breakout indie Aftersun explains the complex process of portraying memory in cinema.

No Bears

By Rafa Sales Ross

The Iranian master returns with a set of parallel love stories reflecting on superstition and the mechanics of power.

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No Bears – first-look review

By Rafa Sales Ross

Jafar Panahi plays himself in this lovingly-crafted autofiction that centers on two pairs of lovers.

Saint Omer – first-look review

By Rafa Sales Ross

This deeply nuanced treatise on the tragedy of motherhood marks the extraordinary feature debut of Alice Diop.

A Couple – first-look review

By Rafa Sales Ross

Frederick Wiseman reflects on the relationship between Leo Tolstoy and his wife Sophia Tolstaya in his first foray into fiction filmmaking.

Bardo – first-look review

By Rafa Sales Ross

Alejandro G Iñárritu grapples with creative fulfilment and the Mexican diaspora in his sprawling, semi-autobiographical surrealist drama.

The Eight Mountains – first-look review

By Rafa Sales Ross

Felix van Groeningen and Charlotte Vandermeersch's is a poignant study of the friendship between two young men across four decades.

Minyan

By Rafa Sales Ross

Eric Steele ventures into narrative filmmaking with a lacklustre adaptation of David Bezmozgis’ queer coming-of-age story.

review

Why I love Ellen Burstyn’s performance in The Last Picture Show

By Rafa Sales Ross

She inhabits the role of the frustrated housewife in Peter Bogdanovich’s 1971 drama with apparent effortlessness.

The Last Duel

By Rafa Sales Ross

Matt Damon, Adam Driver and Jodie Comer star in Ridley Scott’s blunt-edged tale of masculinity and betrayal in the 14th century.

review

The Last Duel – first-look review

By Rafa Sales Ross

Appealing turns from Ben Affleck and Jodie Comer can’t save Ridley Scott’s bloated historical epic.

Wildland

By Rafa Sales Ross

Sidse Babett Knudsen excels in this claustrophobic crime drama from first-time director Jeanette Nordahl.

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The Most Beautiful Boy in the World and the dark legacy of Death in Venice

By Rafa Sales Ross

A new documentary reveals how Björn Andrésen was plagued by the title director Luchino Visconti bestowed on him.

In praise of Robert Redford’s Ordinary People

By Rafa Sales Ross

Redford’s directorial debut holds its ground as one of cinema’s most moving explorations of loss and guilt.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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