Posts by Xuanlin Tham

Evil Does Not Exist review – beautifully precise

By Xuanlin Tham

Ryûsuke Hamaguchi's drama about a mountain village threatened by a new development is a haunting depiction of the gulf between capitalism and environmentalism.

review LWLies Recommends

Opus review – gorgeous document of a supreme artist

By Xuanlin Tham

Neo Sora creates a beautiful portrait of his late father, filmed just before he passed away from cancer in 2023.

review LWLies Recommends

Green Snake and the search for belonging in a hostile world

By Xuanlin Tham

Celebrating its 30th anniversary, Tsui Hark's take on a Chinese folktale is a breathtaking allegory for our inhospitable world.

Love Life review – frustrates its own poignance with melodrama

By Xuanlin Tham

Koji Fukuda's ninth feature fails to meet the mark when it comes to exploring the knotty topic of familial grief.

review

Ryuichi Sakamoto | Opus – first-look review

By Xuanlin Tham

The final performance of the late Japanese composer is captured in stunning, heart-rending detail by his son.

Evil Does Not Exist – first-look review

By Xuanlin Tham

Ryusuke Hamaguchi's ecological drama about a small mountain village threatened by a new development is a haunting, glacial depiction of the gulf between capitalism and environmentalism.

Joyland

By Xuanlin Tham

A conservative Pakistani family in Lahore fracture when modernity meets tradition in Saim Sadiq's intimate drama.

review

Husband

By Xuanlin Tham

Devorah Baum and Josh Appignanesi attempt to navigate their relationship as they take a trip to the United States.

review

Love Life – first-look review

By Xuanlin Tham

Koji Fukuda's ninth feature fails to meet the mark when it comes to exploring the knotty topic of familial grief.

Neon Spring – first-look review

By Xuanlin Tham

A young woman with a difficult home life discovers Riga's rave scene in Matiss Kaza's fourth feature.

Husband – first-look review

By Xuanlin Tham

The trials and tribulations of one couple's relationship are under the microscope in Devorah Baum and Josh Appignanesi's frustrating documentary.

The Narrow Road – first-look review

By Xuanlin Tham

Lam Sum's Hong Kong-set Covid drama is tender but lacks incisiveness when it comes to the pandemic.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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