Emma Corrin and Harry Styles star in this period romance about a love triangle, set against the backdrop of 1950s Britain.
Martin McDonagh deploys his signature acerbic wit to an affectionate folktale as he reunites with Brendan Gleeson and Colin Farrell.
The South Korean auteur known for squid-chomping, luxe erotica and graphic torture is back with a seductive mystery thriller.
The biggest surprise of this low-key horror trilogy capper is how much better it is that its crummy, cash-in predecessors.
An animated crocodile with the voice of an angel spreads New York cheer in this breezy and highly likeable family diversion.
Edward Berger’s trench-foot-and-all retelling of this classic war story lacks originality in its brutality.
By Rógan Graham
Gina Prince-Bythewood delivers her masterpiece in this quietly radical action epic with a stunning lead turn from Viola Davis.
Master filmmaker Patricio Guzmán turns his gaze to the enigmatic Andean mountain range as he examines the troubled histories of Chile.
By Jamison Kent
Hnin Ei Hlaing’s eye-opening documentary depicts the rampant and ongoing crisis in Myanmar through the eyes of two caregivers.
By Mark Asch
Peter Farrelly’s follow-up to his Best Picture winner Green Book is a hokey Vietnam tall tale.
Alli Haapasalo’s vibrant, sex-positive depiction of the highs and lows of modern girlhood is as charming as it is unapologetic.
A sonic catering collective attends a prestigious residency in Peter Strickland's characteristically off-beat new flick.
A dancer and a musician form a unique friendship in Masaaki Yuasa's fantastical animated musical.
A teenager in Medieval Lincolnshire contends with suitors and friendship problems in Lena Dunham's winsome coming-of-age dramedy.
By Leila Latif
Andrew Dominik’s warts-and-all portrait of tragic Hollywood icon Marilyn Monroe is as surreal as it is sad.
A South Korean ex-pat returns to her homeland and reconnects with old acquaintances in Hong Sang-soo's magical, melancholy drama.
By Anton Bitel
A holidaying couple becomes involved in a tragic event in Aga Woszczyńska’s chilly psychodrama.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
