Nathalie Álvarez Mesén's debut feature explores religious oppression and sexual desire through a Costa Rican woman's mystical awakening.
With its acerbic script and anachronistic flourishes, Peter Greenaway’s 1982 film is as fresh and funny as ever.
Edward Berger’s trench-foot-and-all retelling of this classic war story lacks originality in its brutality.
True to form, the elusive American auteur is taking his precious time over his forthcoming Bible epic.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
