By Dan Stewart
Bennett Miller and Aaron Sorkin combine for the best film about statistics you’re ever likely to see.
By Jason Wood
Terence Davies’ wartime tragi-romance is filmmaking of the highest order.
By Josh Winning
Though passionate and faithful, Andrea Arnold’s film is striking but staggers toward a lethargic climax.
An astounding achievement, Joachim Trier’s haunting film will stay with you for weeks.
By Paul Weedon
A remarkable feature debut from Andrew Haigh signals an exciting new voice in LGBT cinema.
Lynne Ramsay’s first film for nine years is a dizzying visual trip anchored by Tilda Swinton’s superlative central performance.
Like the era it represents, there are highs and lows in director Göran Hugo Olsson’s latest documentary.
Paddy Considine’s eloquent, savagely poetic script is grounded in a cinematic idiom of bleached light, bleak estates and broken lives.
Midnight in Paris isn’t a clutch at yesteryear; it’s a statement that Allen still has something left to say.
There’s something powerful here, but von Trier hasn’t quite managed to force it through the screen.
Tom Hardy and Joel Edgerton star in this rousing, fiercely acted tale of sibling bonds bruised and bandaged.
Gary Oldman puts in a career-best shift in this gripping story of duplicity and paranoia.
A unique and weird history lesson created by a director whose star is continually on the rise.
By Jason Wood
Largely eschewing the shock tactics of Dogtooth, Attenberg is arguably superior and certainly more embraceable.
British director Ben Wheatley delivers a future classic in the form of this white-knuckle thriller.