By Anton Bitel
There’s charm, humour and no shortage of strangeness in this radical rewriting of Lewis Carroll’s classic tale.
By Henry Heffer
Unless you’re an Eli Roth completist, avoid this remake of the 2002 parasitic horror like the plague.
This Brit spy thriller starring Ewan McGregor and Naomie Harris is a solid calling card for director Susanna White.
A mildly fascinating look at the Land Art movement that emerged in the US during the ’60s and ’70s.
An endless spiral of crime and punishment is the subject of this raw and rambling documentary.
By Henry Heffer
Tina Fey brings some light comic relief to the Afghanistan conflict in this cutting media commentary.
An extraordinary modern fairy tale about femininity and sisterhood from Turkey’s Deniz Gamze Ergüven.
There’s plenty to admire in Jeremy Saulnier’s follow up to Blue Ruin. But it’s not for the faint-hearted...
Tom Hiddleston showcases his flexibility as a performer by slipping into the boots of country troubadour Hank Williams.
This opaque, gorgeous mystery movie is Lucile Hadzihalilovic’s follow-up to 2004’s Innocence.
By Elena Lazic
A surprising entrant to that very exclusive club of movie sequels that are better than the original.
By Henry Heffer
The great Ricardo Darin plays a man facing death – but what will become of his trusty mutt?
As armageddon looms, an Aussie father-to-be abandons his life in search of the bash to end them all.
Ben Rivers returns with a blackly comic take on the ethics of filmmaking in another country.
Stephen Frears parlays the fascinating story of this warbling songbird into a cosy, featherlight comedy.
Terrence Malick continues to inspire awe with this transcendent tale of a man looking back to past loves.
A ridiculous comedy film that may well rank as the lamest thing Ricky Gervais has put his name to.
By Adam Chapman
The British gangster thriller gets a much needed image makeover courtesy of Robert Osman and Nathanael Wiseman.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
