Across three timelines, a pair of lovers find each other again and again in Bertrand Bonello's ambitious, genre-defying latest.
By Esmé Holden
A decade since Abdellatif Kechiche's film made history at the Cannes Film Festival, its legacy is a troubling one.
The French superstar works in a sublimely subtle register to bring the joy and pain of One Fine Morning to the screen.
Léa Seydoux stars as a single mother entangled in an affair with a married man in Mia Hansen-Løve's powerful eighth feature.
The European Film Academy has unveiled the contenders for their 35th annual awards ceremony, celebrating the cream of filmmaking in Europe.
David Cronenberg’s return to filmmaking can’t quite deliver on its promise that surgery is the new sex.
Léa Seydoux plays a struggling single mother in a drama that’s not to Mia Hansen-Løve’s usual lofty standards.
Some of the best nuggets of glitz and scandal throughout the history of the most famous international film festival.
Wes Anderson’s New Yorker-inspired anthology film is a meticulously-crafted love letter to the art of magazine journalism.
Daniel Craig’s last dance as a Double-O agent brings the present chapter of the long-standing spy saga to a sentimental close.
By Mark Asch
Léa Seydoux plays a TV journalist in Bruno Dumont’s satire-of-sorts about France’s relationship with its media and itself.
Arnaud Desplechin judiciously adapts Philip Roth’s verbose 1990 novel about an adulterous author.
Wes Anderson’s star-studded, multi-chaptered tribute to The New York is his most impressionistic work to date.
Daniel Craig’s 007 will return to brick-and-mortar cinemas in November, by gum.
The story of a French newspaper's post-WWII operation goes heavy on whimsy.
Cary Joji Fukunaga’s film will be the actor’s final appearance in the iconic tux.
By Anton Bitel
Thomas Vinterberg reconstructs the K-141 Kursk submarine disaster but throws in a few too many gimmicks.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
